How to Buy Used DSLR Cameras

A while ago, I wrote an article giving tips on buying used lenses. In this follow-up on how to buy used DSLR cameras, I will try to give some advice on how to buy the other part of a photographer’s kit – the camera itself. You will see that many of the lens buying guidelines are also applicable here, so lets not waste any more time and get started!

Canon 60D

Why Buy Used Cameras?

Just like with lenses, we don’t always need or can afford the latest and greatest. Certain cameras, such as the now discontinued Nikon D700 or the soon-to-be discontinued Canon 5D Mark II (B&H has it for $1699 brand spanking new, which is a steal), will hold a lot of appeal for at least a couple more years in the used market. Because of that, they make a great choice as entry FF models (I’m quite sure I will be using my D700 for a while even with the Nikon D600 and the D800 around) or even as backup cameras. There is an even larger market when it comes to entry-level DSLRs, such as the Nikon D3100, which can be bought very cheaply and be a great learning tool, even exceeding some old semi-professional models in image quality.

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How to Buy Used Lenses

With new lenses getting more expensive all the time, many photographers choose to purchase used gear and save money. While certain lenses can only be bought new (at least for a while), like the just-released Tamron 24-70mm f/2.8, used lens market is quite often an important aspect to consider when choosing a system. In this article I will try to explain the benefits of buying used lenses, as well as give you some tips on how to buy used lenses on-location knowing you’ll get a high-quality piece of equipment you will be happy with for years to come.

How to buy used lenses

Why Buy Used Lenses?

The obvious reason is to save cost, of course. Used lenses (in fully functional condition) can be bough for as much as 30 percent cheaper than brand new ones, and sometimes even more than that. This especially makes sense if you choose to switch systems – you can often buy lenses for as much as you sold those of previous brand, making the switch painless. Of course, newer lenses will be a bit more expensive, but still cheaper than what you’d get if you bought retail. In any case, this is down to each person’s opinion if he’s comfortable buying someone else’s lens.

The common question, however, is whether used lenses can be bought with full confidence. In short, no, unless you have a chance to thoroughly test it yourself before making the purchase. There are plenty of ways to make sure you’re not buying a dud, and to protect yourself from a serious financial damage. I’ll let you in on a secret – I’ve bought at least half of my gear used, including my 50mm f/1.4G lens I use more than any other, ever.

If a Used Lens Is On Sale, Does That Mean It’s Defective?

There aren’t all that many untrustworthy people out there as you may think, and most sellers have logical reasons to get rid of their gear. Ask yourself a question: if you were to sell a lens of your own, would that necessary mean you wish to fool someone into buying a spoilt piece of equipment? There are numerous reasons – some sellers find they don’t use that particular lens enough to justify owning it, or they may have found an alternative they think is more suitable to their style of shooting. People sell zoom lenses in favor of primes, and vice versa, all the time. Others begin to prefer a specific type of photography, for example – bird photography, and thus sell off their wide-angle lenses. Others want to make a switch to a different system or have a frustration with that particular lens that you may not find all that annoying (many people find slow focusing of 50mm f/1.4G lens a deal-breaker, while I’ve found a way to live with it while I must). Either way, number of viable reasons exceeds number of tricksters and thieves by quite a margin, rest assured.

With that in mind, I’m afraid I must be fair and mention that some people do try to fool a buyer by selling defective gear, and I know that from my own experience (I bought a lens with AF defect serious enough to be unusable, and sold it to a person with a warning and for a lot less money). And that is why we need short, simple guides like this to make buying used lenses a much safer bet.

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Nikon D600 vs Canon 6D

With Canon having recently announced its take on budget DSLRs, the Canon 6D, the most obvious rival just happens to be the brand new Nikon D600. We’ve already seen how the latter stacks up, at least on-paper, with such great cameras as D700 and D800, but neither of those cameras were direct rivals. Priced at the same relatively low price for a full-frame sensor camera, $2099 body only, Canon 6D is as direct a rival as it can get. Lets see how it measures up against its Nikon counterpart spec-wise. Please keep in mind that this Nikon D600 vs Canon 6D comparison is purely based on specifications. A detailed comparison with image samples and ISO comparisons will be provided in the upcoming Canon 6D Review.

UPDATE: there has been a misleading set of specifications spread throughout the internet, indicating that the top shutter speed of Canon 6D is 1/8000th of a second. It’s incorrect – according to official Canon specifications, the top shutter speed of their newly announced “budget” full-frame camera is 1/4000th of a second.

D600 vs 6D

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Canon 6D Pre-Order Links

Usually, it takes Canon a while to start delivering some of their cameras. Hopefully, 6D will not take long to reach owners. Our most trusted reseller, B&H, is already taking pre-orders.

Canon EOS 6D front

Canon EOS 6D Pre-Order Information

  • Canon 6D body only from B&H ($2099)
  • Canon 6D + 24-105mm f/4 USM L lens from B&H ($2899)
  • Canon 6D Full-Frame DSLR Announcement

    Canon EOS 6D

    Canon has just announced its latest DSLR and a direct competitor to the already highly popular D600. The Canon EOS 6D offers a new 20.2 megapixel full-frame sensor, 11-point autofocus system with one cross-type sensor, 3.2″ 1.04 million dot screen and 4.5 frames per second. According to Canon, 6D is similarly sized as it’s sister, APS-C sensor EOS 60D, and it sure look similar – add a taller prism and take pop-up flash compartment. Use of old autofocus system might not sound too good, but Canon promises it’s their most sensitive AF system to date (which should probably include 1DX and 5DIII), offering reliable AF in -3EV (moonlight). The 6D also boasts in-build GPS and WiFi capability.

    Canon EOS 6D top

    Nasim will prepare a thorough review as soon as he has enough experience with the camera, so stay tuned!

    Specifications

    1. Sensor: 20.2 MP CMOS
    2. Sensor Size: 36 x 24mm
    3. Resolution: 5472 x 3648
    4. Native ISO Sensitivity: 100-25,600
    5. Boost Low ISO Sensitivity: 50
    6. Boost High ISO Sensitivity: 51200, 102400
    7. Processor: Digic 5+
    8. White Balance presets: 6
    9. Dust Reduction: Yes
    10. Weather Sealing/Protection: Yes
    11. Body Build: Magnesium Alloy with Plastic top plate
    12. Shutter: 30s-1/4000s
    13. Storage: 1 SD/SDHC/SDXC slot
    14. Viewfinder Coverage/Magnification: 97%/0.71x
    15. Speed: 4.5 fps
    16. Metering Modes: Multi, Center-weighted, Spot, Partial
    17. Metering Sensor: 63-Zone Dual Layer
    18. Built-in Flash: NO
    19. Flash sync speed: 1/180s
    20. Autofocus options: Contrast Detect (sensor), Phase Detect, Multi-area, Selective single-point, Single, Continuous, Face Detection, via Live View
    21. Autofocus System: 11-point with one cross-type (center point), sensitive down to -3EV
    22. LCD Screen: 3.2 inch diagonal with 1,040,000 dots
    23. Video capabilities: h.264 with mono mic and speakers, manual controls, 1920 x 1080 (29.97, 25, 23.976 fps), 1280 x 720 (59.94, 50 fps), 640 x 480 (25, 30 fps)
    24. In-Camera HDR Capability: Yes
    25. GPS/WiFi: built-in/built-in
    26. Connectivity: USB 2.0 (480 Mbit/sec), HDMI Mini, WiFi (built-in), remote control with N3 type contact, Wireless Controller LC-5, Remote Controller RC-6
    27. Battery Type: Lithium-Ion LP-E6 rechargeable battery & charger
    28. Weight: 770 g (1.70 lb / 27.16 oz) with battery
    29. Price: $2099 body only

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    Full-Frame Sony NEX-9 Mirrorless Camera in the Works?

    With Sony’s big week coming to an end (they’ve announced more new products than other manufacturers, with all of them being quite exciting), we’ve missed a couple of announcements, which haven’t been directly relevant to this photography-centered website (at least for now). Both of these announcements were of their new NEX series camcorders, the NEX-VG30 and NEX-VG900. The former is a successor to the great NEX-VG20H camcorder and packs a 16 megapixel, APS-C sized sensor found in many of Sony cameras, such as NEX-6 and SLT-A57. Both new camcorders come with rather advanced video capabilities and will likely be very popular among videographers – I’ve had to trade ergonomics in favor of technical and aesthetical quality of DSLR video for a while now, and so have a couple of my close friends. With the great NEX camcorders Sony offers, both new and old models, you can get everything and for a relatively low price.

    But, again, we are photography-centered at this time. Which, ironically, brings us to (the more expensive of the two) NEX-VG900 camcorder.

    Sony NEX Sensor Comparison

    Why? Because it’s the first NEX mirrorless camera (which it is, only put in camcorder casing) to pack a full frame sensor, same one used in RX1 compact and A99 SLT cameras (and possibly the already immensely popular Nikon D600). And it does bring a thought. I’m not usually one to speculate, or spread rumors for that matter, but photography community has been waiting a long time for a logically priced Leica M9 (and Leica isn’t about being logical, which, strangely enough, makes sense in today’s viciously competitive market).

    So.. How about a NEX-9 instead?
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    Ryan Brenizer Talks About His Panorama Method

    A while ago, I posted an article explaining the Brenizer method panorama. Ryan Brenizer is a NYC based wedding photographer and the “father” of Bokeh Panorama, or Brenizer panorama, technique, which allows one to achieve an otherwise impossibly shallow depth of field at a given angle of view. While I did my best to explain how it all works, it’s often better to see how one does it once than read about it ten times. And who to better do it that Ryan himself?

    So here are a couple more tips for those of you interested in learning this technique, followed by Ryan’s much more understandable and professional explanation.

    Brenizer method panorama

    1) Remember Composition and Light

    While Brenizer method panorama can help even the most simple and dull photograph look amazing, any eagle-eyed photographer will be able to tell you’re just trying to fool people by using simple aesthetics, such as bokeh, which has nothing to do with your skills as a photographer, only the lens you’re using. Light, Subject and Composition are the main aspects of an image, even when it’s 9463-ish pixels wide and has the most beautiful background blur you’ve ever seen. Work on it – find the best light, the best pose or lack of one, and work on your composition skills – Brenizer method is there to improve your photography and give you more creative choice, but that’s all it can do. The rest is, once again, up to the living, breathing creature holding the camera with a lens set wide open.
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    Nikkor 18.5mm f/1.8 for Nikon 1 Announcement

    In the recent sea of announcements, with such cameras as Sony A99, NEX-6, and Nikon D600 receiving all the attention (understandable, of course), it’s very easy not to notice the small things. But then, small things make the bigger ones complete.

    Today, along with the attention-grabbing Nikon D600, Nikkor 1 18.5mm f/1.8 prime lens was also announced, expanding the growing Nikon 1 lens arsenal. This lens will act roughly as a normal 50mm f/1.8 lens would on a full-frame camera (such as the great Nikkor 50mm f/1.8G) in terms of angle of view and light gathering (aperture speed). I see it as an extremely welcome addition to the line, complimenting the 10mm f/2.8 lens very well. Both for my personal work and weddings, a 50mm lens proved to be the most versatile so far, and with the 18.5 f/1.8 for Nikon 1 introduced, this mirrorless system has suddenly became much more attractive to me. If only Nikon 1 V1 was (much) cheaper. :)

    Nikkor 1 18.5mm f/1.8 lens

    What I reluctantly didn’t mention at first was that it will not act nearly as a normal fast prime lens would on a full-frame camera in terms of depth of field. Due to the small CX sensor (2.7x crop factor) of Nikon 1 system, depth of field is greatly enlarged because of the shorter focal length (or longer focus distance, depends on how you look at it) needed for the same magnification as compared to a 50mm f/1.8 mounted on a, say, D700. As it happens, tiny depth of field, along with great dynamic range and low-light performance, is one of the most attractive points when it comes to fast lenses. But does that mean there’s no more use for large depth of field? I don’t think so. I personally believe that it takes a lot of skill to use larger depth of field in such instances as wedding photography, and it’s also great for street and travel photography.

    But then, you know who you are and what you want. If you found Nikon 1 system to suit you well, this lens is likely going to be a great companion, especially at a low price of around $190.

    Pre-order Links

    We trust the largest photo reseller, B&H, the most when it comes to gear purchase. Here are some links if you want to pre-order the new lens for your Nikon 1 camera:

  • A black 18.5mm f/1.8 lens for your black Nikon 1 camera ($186.95)
  • A silver 18.5mm f/1.8 lens for your silver Nikon 1 camera ($186.95)
  • A white 18.5mm f/1.8 lens for your white Nikon 1 camera ($186.95)
  • Of course, you don’t have to match them if you don’t want to. That would turn heads, wouldn’t it?
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    Nikon Communication Unit UT-1 Released

    UT-1 Communication Unit Front

    Today, along with other announcements, Nikon has also released a new communication unit, the UT-1. This unit allows Ethernet connection between your camera and computer, allowing you to upload photographs to your computer as you take them, or control your DSLR remotely. If you couple UT-1 with the WT-5 wireless transmitter, same actions can be performed over a wireless network.

    You should be able to pre-order the UT-1 Communication Unit from our most trusted reseller, B&H, very soon by following this link.

    Here is the full list of features (quoting Nikon):

  • Wireless network support when used in combination with the WT-5
    When used with the WT-5 (available separately), UT-1 networking functions can be used over wireless networks. Nikon also markets an UT-1/WT-5 bundle that provides networking functions over both Ethernet and wireless networks.
  • Image transfer
    Still images can be transferred as they are captured, and still images and movies already stored on a memory card can be saved to a computer or FTP server.
  • Transfer of images to an FTP server
    Still images and movies can be automatically uploaded and saved to an FTP server as they are captured, enabling transfer of a high volume of high-resolution image data captured by a digital-SLR camera. This allows for verification of images from a remote location by those not in the immediate vicinity of the camera.
  • Remote camera control from a computer
    When used with Camera Control Pro 2, remote control software developed for studio and remote photography in the field (available separately), remote control over a wide variety of Nikon digital-SLR camera functions from a computer is possible. Camera Control Pro 2 allows users to specify and adjust shooting settings such as exposure mode, shutter speed, aperture, and white balance, and also to use live view photography and even record movies remotely. In addition, still images and movies can be saved directly to the computer as they are recorded with remote shooting using Camera Control Pro 2.
  • Superior handling for efficient studio and field photography
    The UT-1 can be mounted on the camera’s accessory shoe or on a tripod. When another accessory, such as a Speedlight, is mounted on the accessory shoe, the camera and UT-1 can be mounted on a tripod using the optional SK-7 bracket for smooth handling.
  • UT-1 and WT-5 on a D800 DSLR

    This is likely going to be most useful for studio photographers.
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    Sony DSC-RX1 Full-Frame Compact Camera Announcement

    Many hoped Nikon would do it. Then, many hoped Canon would, or Pentax (they chose quite the opposite with Q system). Even more hoped Fujifilm would do it with their X-Pro1, after the booming popularity of their bold APS-C X100. And yet it was Sony who brought the first compact 36x24mm sensor camera. But then, is it so surprising? Sony is, after all, one of the best sensor manufacturers, as well as a electronics giant with an immense amount of resources. Why not, then?

    Sony DSC-RX1 Top

    And yet, it’s a strange camera. It only has a top shutter speed of 1/2000th of a second, which, while perfectly sufficient indoors, I know would never be enough for the kind of photography I usually do outdoors. Critically, it has no EVF (while a $850 NEX-6 does), which, again, will put off most professionals from using it as their second, small and discreet, camera. It also uses a different battery than, say, the NEX series, which means more different spare batteries and chargers lying around. On the other hand, and even more critically, it costs around $2800 and boasts a (likely) very good Carl Zeiss lens and the same 24 megapixel sensor found it the newly announced Sony A99. A question pops-up – who is this camera for and how much is one willing to pay for a compact full-frame camera with a Carl Zeiss prime lens glued on it?

    It’s a strange step. A bold one, too, much like those of Fujifilm. We are yet to see if it will pay off. After all, Fujifilm X100 worked with its 35mm equivalent lens, numerous quirks and relatively high price. Why shouldn’t this? High price – check, 35mm lens – check, quirks – check. It’s unique, at least for now. Close to how unique Fujifilm X100 was. Almost as if it were a direct replacement. Something tells me it’s going to be mighty popular, at least close to as popular as it can be given the hefty price and lack of EVF.

    Sony DSC-RX1 side

    The only thing I can promise you is that we will have a review of DSC-RX1 ready as soon as we get our hands on one and have enough field-use.

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