Sony is joining the rebates party with its own “Buy Together and Save” program at B&H. These lens savings are valid when purchased alongside either one of their popular full-frame mirrorless cameras, the Sony A7 and A7r and in all cases are $200 off the price of each of the four available lenses.
Sigma lenses have been getting more and more popular in recent years thanks to some truly professional-grade optics (like the 35mm f/1.4 HSM Art, for example). As every other manufacturer, however, they use different designations for various bits of technology incorporated into the lenses. In this article, I will go through the most important Sigma lens abbreviations you might come across. Thankfully, there are not that many of them despite the fact Sigma has a broad lens line-up, so there’s not all that much to remember.
Since the newest camera in Fujifilm’s lineup, the X-T1, has already been compared in terms of specifications to the flagship X-Pro1 model, it seems only fair to finish this marathon of comparisons by seeing how it measures up against a model positioned slightly lower in the range. That is, of course, the Fujifilm X-E2 – arguably the best camera overall in the Fujifilm’s range, at least until X-T1 showed up. Naturally, the X-T1, being newer, packs the latest technology, but the X-E2 isn’t exactly old and, considering that $300 price difference, is a serious rival for the higher-end model.
I was wrong – Hasselblad seems to be determined to continue its partnership with Sony in ways we find somewhat…questionable. They have recently announced their third rebranded Sony camera, the Hasselblad HV. This time it is not based on Sony’s mirrorless system, however, but is built around their flagship DSLR/SLT camera, the A99. As with Hasselblad Lunar, which we failed to understand, the changes are purely cosmetic – the sensor and all other internal bits are exactly the same between the two. And, as with Lunar, the new HV carries a premium price tag of, wait for it, around $11,500 for the camera body with the Zeiss 24-70mm f/2.8 lens. Interested?
Fuji’s latest cameras have been so good, they rival each other almost as much as other systems. And as we saw in our X-Pro1 vs X-E2 comparison, the oldest current model in the X-mount compact camera system, the X-Pro1, already struggled against its lower-end sibling. In this article, we will compare it against the newest member in Fuji’s line-up of mirrorless cameras, the weather-resistant, DSLR-style Fujifilm X-T1.
The new Fujifilm X-T1 has been greeted with great enthusiasm. Based purely on specifications, the newer camera seems to be at the top in Japanese manufacturer’s line-up, at least until X-Pro2 comes along. In this article, I will compare the new X-T1 mirrorless camera from Fujifilm to Olympus’ top offering, the OM-D E-M1.
The Internet has been buzzing with details about the new Fujifilm X-T1 mirrorless camera, yet we are still excited to see it officially unveiled. Slotting between the flagship X-Pro1 (see our review) and the capable X-E2 (see our review), the new model takes a formerly vacant spot in the line-up of attractively designed, innovative cameras from the Japanese manufacturer. But it is not just the price tag of $1,299 that differentiates the X-T1 from its siblings. Its design and ergonomics also hint at, possibly, new priorities.
Hasselblad Lunar is a camera that many have heard about, many have seen images of, yet we never spoke about it here at Photography Life. We have not compared it to any other camera nor even let you know about the announcement as we usually do with high-end cameras. And the Lunar is indeed a high-end camera, a good one at that (if you choose to ignore one or two facts, more on which later). So… Why didn’t we ever mention it? I will be honest – we don’t like it all that much. No, that is kindly said. Actually, we think it is utterly, utterly pointless.
With Library Module holding such a large collection of tools, tabs and panels, there is no other way to write a proper, thorough overview article but to split it into several parts. In the first article, I did my best to talk about the left-side panel (or the Navigation Panel, if you like) and all its capabilities in detail. In this article, we will focus on the center section of the Library Module – mainly the Image Grid/Loupe View, and the Toolbar.
In the previous Mastering Lightroom series article, “Lightroom Grid View Options”, we learned how to set-up Cells in Grid View so that they display the information of your choice. Grid View options are only available in Library Module, but that is not the only view mode available in Lightroom. In this article for beginners we are going to learn how to set-up Loupe View, which is available in Library Module and is also the default and only view mode in Develop Module.