For a while now, Sony’s biggest attention-grabbers in the camera industry were the mirrorless full-frame siblings, A7, A7r and the most recent, low-light and video focused A7s. Even so, to think that they’ve forgotten their DSLR system (although current Alpha cameras, such as the A99, technically are not really DSLR cameras) would be incorrect. Japanese electronics giant has enough resources and will to grow its customer base to provide deserved attention to all markets, which means those who still prefer the ergonomics of a full-sized camera can count on Sony not to leave them stranded. Today, Sony has announced what is to be the replacement of the venerable Sony A77, an SLT (Single Lens Translucent) camera we praised so highly in our review. So, what does this new camera, dubbed SLT-A77 II, improve over its predecessor?
Today, Nikon has announced a new DX zoom lens for beginner photographers. Covering a vast focal length range of 18-300mm, it’s not the first Nikkor with such parameters – the similar 18-300mm f/3.5-5.6 VR lens has already been announced a while ago, not to mention all the third-party competition from Tamron and Sigma. However, the new lens is designed not to just deliver a very wide zoom range, but deliver it in a smaller, lighter package. To put it into perspective, the new lens weighs a whopping 280g less than the bigger version. Quite an achievement and will surely be tempting for those few who need such a lens, but it came at a bit of a price both literally and figuratively. And that raises a question – who is actually going to need such a lens?
We’ve still got quite a lot of catching up to do and this time Adobe grabs our attention with the release of new Adobe Camera Raw and Lightroom versions (which basically is the converter only in a separate package and with some added functionality for processing masses of files quickly). Version 8.4 of ACR and 5.4 of Lightroom bring the usual updates – new camera and lens support, some bug fixes and a few new features on top of that. Happily, Photoshop CS6 users are not left out and their ACR can be updated. That said, only new lens/camera profiles and bug fixes are part of the update, whilst new features seem to be reserved for CC only. Clearly, Adobe wants you to move to CC, but does not yet blatantly force you to do it by ignoring “older” software completely – at least until ACR 9 arrives.
Looks like Sony is doing all it can to push the growth of its full-frame compact camera system. On the 6th of April, 2014, the Japanese electronics giant has announced a new addition to its A7 camera line-up – the new A7s has joined the previously launched A7 and A7r. The difference between the original models was very straightforward – A7 was the cheaper one and had lower-resolution sensor (a still-plentiful 24 megapixels), whilst the A7r was the more expensive sibling (but not expensive per se when it comes to digital full-frame cameras) and featured a 36 megapixel sensor similar to that found in the Nikon D800. Both cameras, while very similar from the outside, are clearly distinctive enough on the inside. So what exactly makes the A7s stand out? Well, if the “r” in A7r’s name stood for “resolution”, the “s” in the latest camera’s title stands for “sensitivity”. The biggest party piece A7s has is its sensor and 4k video capability.
I am sure by now you are all very tired of hearing about the Nikon D600. And I think it is about time we wrapped it up for the last time. This article has been maturing inside my head for a while now and the latest events in the interchangeable lens camera market, along with a couple of scandals that appeared on the news, have only pushed it forward. Only a short while ago I read a comment under the “Nikon D610 Does Not Have a Dust Issue” article left by one of our readers who quoted a response he received from Nikon Europe Support about Nikon D600 dust accumulation problems. Here is the response:
A few months ago, I started the Mastering Composition series of articles. The goal of these articles was not only to give some useful composition tips for beginners, but to also engage our readers with small assignments. The assignment given to you in the first article of the series has already been addressed in the recent discussion. In this short article, we will address the assignment given in the “Open and Closed Composition” piece.
As I was working on the “Composition in Photography: Assignment Discussion” article and upcoming Lightroom Crop Tool article last night, I came across a feature in Lightroom that I had not previously used. I love it when that happens. Realizing that the software tool I enjoy using and find to be very versatile is actually even more functional than I thought, is pure joy. In this article, I will teach you how to quickly check your composition in Lightroom against known rules and guidelines, such as the Golden Ratio or the Rule of Thirds (and, yes, these are indeed two separate things), by overlaying the image with them.
A few months ago, I started working on our “Mastering Composition” series articles. The idea behind them was to cover all the basics of composition in photography (and, consequently, visual arts in general) starting with some extremely simple concepts, and also provide assignments for beginner photographers to make the educational process fun and engaging. With some luck and effort from our side, the project would gain momentum and we’d be able to not only touch more advanced composition rules / theories and discuss specific examples sent in by our readers (eventually), but also organize a few online and offline workshops along the way. Unfortunately, after writing just two articles, I had to put the project on a bit of a hold. Even worse, I did not assess the assignment results for a very long time. This assignment discussion is long overdue and it is about time I fixed my mistake! In this article, I will discuss the task and the answers provided by our readers under the first article of the series.
Before we begin, let me just remind you what the assignment was. I asked you to name basic varieties of composition you were familiar with. I also wanted you to list just one variety and try not to repeat types that have already been named by someone else – to make the assignment more interesting. The following image was provided as a hint for one of the more basic compositions types:
Nikon is not the only one feeling generous lately. Fujifilm also has some savings for those looking to purchase a new lens or even a camera, and they are, arguably, more impressive than those offered by Nikon. For example, the extremely popular XF 27mm f/2.8 pancake lens is currently selling for less than half its original price. Other rebates include the X-E1 (body only or kitted with the Fujinon XF 18-55mm f/2.8-4 R OIS lens, it offers the most impressive savings), X-Pro1 and the lower-end bodies, and almost all primes lenses along with the Fujinon XF 55-200mm f/3.5-4.8 R OIS zoom lens.
Fujinon Lens Rebates
Let’s start with the lens savings:
- Fujinon XF 14mm f/2.8 R lens ($699.00, $200 off regular price)
- Fujinon XF 18mm f/2 R lens ($399.00, $200 off regular price)
- Fujinon XF 23mm f/1.4 R lens ($749.00, $150 off regular price)
- Fujinon XF 27mm f/2.8 lens; silver version is here ($199.00, $250 off regular price)
- Fujinon XF 35mm f/1.4 R lens ($449.00, $150 off regular price)
- Fujinon XF 60mm f/2.4 Macro lens ($399.00, $250 off regular price)
- Fujinon XF 55-200mm f/3.5-4.8 R OIS lens ($499.00, $200 off regular price)
You are going to like this. Each time Nikon did a rebates program for its lenses, one had to buy a DSLR body first to take advantage of the savings. It has really been a while, but not this time. The savings range from a welcome $20 for the AF-S 50mm f/1.8G lens all the way to frankly impressive $400 for the likes of AF-S 80-400mm f/4.5-5.6G VR. More than that, there are a total of 15 lenses that are part of the rebates program. The offer expires on the 1st of March.
Told you you’d like this!