Along with the new X100T and a couple of lenses, Fujifilm has also announced a “Graphite Silver” version of their well-received X-T1 mirrorless camera. Unlike other silver/black versions of mirrorless cameras that Fujifilm offers – X-E2 immediately springs to mind – X-T1 has a darker shade body. It is definitely more conspicuous than the black body of the original X-T1, but not as much as a regular silver camera would be. It is also more expensive. And don’t worry, there are indeed some better news that owners of black X-T1’s will find very welcome.
Back in 2010 – has it really been that long? – Fujifilm started their Renaissance with the release of X100, a compact camera with a fixed, 35mm equivalent lens and a large APS-C sized image sensor at its heart. It was a camera towards which few remained indifferent. Plagued by Fujifilms quirks, most of which have been attended with most thorough and impressive firmware upgrades since, the camera also had a beautiful design and brilliant, unheard of feature – hybrid EVF/OVF. Whether you liked the original X100 or not, most will agree it was a breath of fresh air in the camera industry where most products were, for the lack of a better word, soulless and slightly boring. Four years later, the mark III version is out – called X100T.
Do you remember the bonkers Zeiss Otus 55mm f/1.4 lens? If you’ve forgotten, here’s a quick reminder. With Otus lenses, Zeiss is basically trying to show the legendary brand’s worth. You might find that somewhat bewildering since most current Zeiss lenses for DSLRs are very, very good and worthy of the name. But with Otus, the German manufacturer wants to release simply the best lenses available for DSLRs from an optical standpoint. And so the first lens of the series was extremely big, heavy, complex and expensive, but also rather beautiful and astonishing optically. As anyone could guess, a 55mm lens with a price tag of $4000 is bound to spawn differing opinions, not least because Otus line-up is manual focus only. Suffice to say the new 85mm family member with the same impressive size, performance and a price tag of, as near as makes no difference, $4500 is going to be no different.
In a recent announcement, Zeiss introduced its new line of full-frame compatible lenses for mirrorless cameras. So far, with only one full-frame system available (not counting Leica M), the Loxia line is best suited to the Sony A7 and A7r, and consists of two prime lenses – the Loxia 35mm f/2 and 50mm f/2. It is interesting to note this line of lenses holds far more in common with ZM (that Zeiss for Leica M) than it does with the other recent lineup for mirrorless cameras, Touit.
With us moving closer and closer to the announcement madness that is Photokina, we are working on bringing our readers (and ourselves) up to speed. This time we will be taking a closer look at a new lens by (a rather well known by now) South Korean manufacturer, a classic 50mm with a widest aperture setting of f/1.4. Something to get excited about? Let’s see.
We’ve fallen behind with announcements and it’s time we caught up! Firstly, let’s talk about the new Fujifilm X30 compact camera. Fujifilm has actually been a lot in the news lately. They’ve been spurring up the market with innovative approach to product design and functionality. But if you glance at the X30, it’s not really that different compared to its predecessor. Perhaps a closer look will tell us more.
Today we want to move your attention from photography matters and enjoy this short film called “How The Sun Sees You”. After watching this film by Thomas Leveritt, I smiled so hard my cheeks still hurt. I very much hope yours will hurt even more!
A well-known editorial photographer Zack Arias recently touched a very sensitive subject, one that always spawns heated debates. In his entertaining video, he expressed his opinion on the full-frame vs APS-C sensor debate and we must say he made a lot of good points. Zack openly states on his website that he is not paid or sponsored by Fuji to advertise their cameras, and yet you might get the impression that this particular video is in fact an advertisement. Ignore that feeling, whether Zack is working for Fujifilm or not does not matter in this case. He talks about Fuji because it’s his system of choice (the X-T1 in particular), but the simple truth is every mirrorless camera with an APS-C sensor – any camera with APS-C sensor, in fact – is good enough for great many projects.
Even though this topic has been touched on numerous occasions, I still get asked this one question rather often – which camera to buy? For someone who’s into photography, it is a very vague question. Almost impossible to answer without additional context as it spawns a number of followup questions – what are you planning to photograph? Are you going to invest more into the system? What lenses would you like to own? Are you planning to take up photography professionally? And for a beginner to be able to answer all these questions in return requires a certain amount of research. Truth is, not everyone is looking to take up photography professionally or even invest into more than one additional lens to accompany the kit zoom. A lot of people really only want a camera for family pictures – something a bit more capable than your average compact, something that would work in darker environments and be able to defocus the background a bit more, too, because it makes images look prettier. And the answer to the first question is usually very simple – everything.
Yesterday, while thinking about the upcoming wedding that I have to shoot, I glanced at my trusty old D700. The rubber is coming off in places and needs to be glued back on, nothing serious. Two of the batteries that I have need replacing. The plastic screen protector has a few minor scratches on it, but would you expect anything else? No. Those are just minor signs of careful use. In every single way, it’s a damn good camera. And then I wondered, would I recommend it to a beginner looking for an affordable entry into the full-frame world? Oh yes, definitely. And it’s not the only one. So if you are a beginner – either to DSLRs or digital photography – and want to potentially improve the quality of your family pictures, to, perhaps, photograph your son’s football games with more confidence or even start your own photography business, there are a lot of used, older cameras you could go for and not regret it. Let us glance through some of them.