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About Romanas Naryškin

A student and a wedding photographer with a passion for cinematography and writing. You'll see me buying film even when there's no food in the fridge. Follow me on Google+, Facebook or visit my wedding photography website to see some of my work.

Sony Lens Abbreviations

In our continuous attempt to improve our lens database and provide all the necessary information about various lens manufacturers as well as individual lenses, we’ve already discussed different abbreviations used to describe Sigma, Fujinon, Nikon and Canon lenses. In this article, I will talk about the most popular abbreviations used with Sony lenses.

Sony Lens Abbreviations

It is worth noting that Sony has a rather special relationship with the legendary German lens manufacturer, Carl Zeiss. As far as I know (and do correct me if I’m wrong), these Sony-Zeiss lenses are not actually designed by Carl Zeiss. Rather, they are merely approved by the legendary lens manufacturer as being good enough to carry Zeiss brand name. Whatever the case may be, as such lenses are officially supported, manufactured and distributed by Sony, they can be considered as brand lenses and not third-party offerings. However, they do share both Zeiss and Sony-specific abbreviations. In this article, I will focus on modern Sony lenses only. Zeiss lens abbreviations will be covered in a separate article.

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Let’s Share Some Photography

I am a big supporter of the “get to know your gear” opinion. I strongly believe that the more you use something, the better you learn to take full advantage of the strengths of that particular piece of equipment, and the better you learn to manage its shortcomings without even thinking about it. To a point where they just disappear, in fact, and make the statement that gear does not matter as truthful as it is. Gear does not matter (to an extent), but knowing it and liking it does. This, I think, it the crucial link between equipment and photography itself.

Classic 50mm (11)

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Retro Canvas DSLR Camera Bag Review

As smaller, lighter gear grows ever more popular – some mirrorless systems, while capable of delivering brilliant results in knowing hands, weigh half as much as DSLR systems – it is only natural for smaller bags to get more popular as well. Already you can see retailers and online stores offering a wide array of “for mirrorless cameras” bags and the selection will only grow wider. Even though I haven’t bought into a mirrorless system (yet), I, too, was on a lookout for a small, unassuming bag. The main requirements were simple: it had to look like anything but a camera bag and thus also work as a simple shoulder bag when needed; it had to be small, yet big enough to fit a mirrorless body with a couple of small lenses and, until such a time arrives, big enough to fit a D700 camera with a 50mm lens attached; and, if at all possible, accommodate my Mamiya RZ67 – not a small camera, mind you – and a roll of film for those quiet evening walks in the old city.

Retro Canvas Bag-1

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What I Have Been Up To

A while ago, Nasim went to London to spend some time with his family and meet up with some of our dear readers. You might have noticed that, for a couple of weeks, he did not have much time to work on articles, certainly not as much as usual. You might also have noticed my own absence for the last couple of months at least. We did not plan to take vacation at the same time. It just so happened that I, too, have been extremely busy at the time, hence no new Lightroom or composition-related articles coming out. My time away, however, was rather less glamorous than that of my friend’s. And less relaxing, let alone fun or enthusiastically met. In fact, it was somewhat of a nightmare at times, a blur of nights and days turning into long, long weeks of never-ending stacks of books, articles and albums. How I missed my job! Although rationally I understand it is not, in the moments of weakness writing articles seemed like a much simpler endeavour. Certainly much more fun.

Homeless (2)

I am happy to say, though, that in the end the result is just as pleasing and satisfactory to me as Nasim’s trip was to him, even if the process was nerve-wrecking. I expect at this point you are rather curious what I am on about. Well, just a few hours ago I received my Bachelor’s degree. Yes, I am now officially an educated man with a Faculty of Arts diploma, cheers! But that’s not very interesting. Let’s be fair, as challenging as it was writing some 40 pages of theory and spending even more time photographing, it’s no doctoral dissertation, Bachelor’s degree is merely the first, smallest of steps up an educational skyscraper. It is also rather common in my country where most people seek a degree right after finishing high school (generally at the age of 19). What I hope is a little more interesting are these portraits, some of which make up the creative part of my thesis.

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Sony Alpha A77 II Announcement

For a while now, Sony’s biggest attention-grabbers in the camera industry were the mirrorless full-frame siblings, A7, A7r and the most recent, low-light and video focused A7s. Even so, to think that they’ve forgotten their DSLR system (although current Alpha cameras, such as the A99, technically are not really DSLR cameras) would be incorrect. Japanese electronics giant has enough resources and will to grow its customer base to provide deserved attention to all markets, which means those who still prefer the ergonomics of a full-sized camera can count on Sony not to leave them stranded. Today, Sony has announced what is to be the replacement of the venerable Sony A77, an SLT (Single Lens Translucent) camera we praised so highly in our review. So, what does this new camera, dubbed SLT-A77 II, improve over its predecessor?

Sony Alpha SLT-A77 II Front

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The Question of 18-300mm Lenses

Today, Nikon has announced a new DX zoom lens for beginner photographers. Covering a vast focal length range of 18-300mm, it’s not the first Nikkor with such parameters – the similar 18-300mm f/3.5-5.6 VR lens has already been announced a while ago, not to mention all the third-party competition from Tamron and Sigma. However, the new lens is designed not to just deliver a very wide zoom range, but deliver it in a smaller, lighter package. To put it into perspective, the new lens weighs a whopping 280g less than the bigger version. Quite an achievement and will surely be tempting for those few who need such a lens, but it came at a bit of a price both literally and figuratively. And that raises a question – who is actually going to need such a lens?

Nikkor 18-300mm f3.5-5.6G VR DX

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Adobe Outs Lightroom 5.4 and ACR 8.4 Updates

We’ve still got quite a lot of catching up to do and this time Adobe grabs our attention with the release of new Adobe Camera Raw and Lightroom versions (which basically is the converter only in a separate package and with some added functionality for processing masses of files quickly). Version 8.4 of ACR and 5.4 of Lightroom bring the usual updates – new camera and lens support, some bug fixes and a few new features on top of that. Happily, Photoshop CS6 users are not left out and their ACR can be updated. That said, only new lens/camera profiles and bug fixes are part of the update, whilst new features seem to be reserved for CC only. Clearly, Adobe wants you to move to CC, but does not yet blatantly force you to do it by ignoring “older” software completely – at least until ACR 9 arrives.

Adobe Photoshop Lightroom 5.4

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Sony A7s Full-Frame Mirrorless Camera Announcement

Looks like Sony is doing all it can to push the growth of its full-frame compact camera system. On the 6th of April, 2014, the Japanese electronics giant has announced a new addition to its A7 camera line-up – the new A7s has joined the previously launched A7 and A7r. The difference between the original models was very straightforward – A7 was the cheaper one and had lower-resolution sensor (a still-plentiful 24 megapixels), whilst the A7r was the more expensive sibling (but not expensive per se when it comes to digital full-frame cameras) and featured a 36 megapixel sensor similar to that found in the Nikon D800. Both cameras, while very similar from the outside, are clearly distinctive enough on the inside. So what exactly makes the A7s stand out? Well, if the “r” in A7r’s name stood for “resolution”, the “s” in the latest camera’s title stands for “sensitivity”. The biggest party piece A7s has is its sensor and 4k video capability.

Sony A7s

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A Few Thoughts on Brand Loyalty

I am sure by now you are all very tired of hearing about the Nikon D600. And I think it is about time we wrapped it up for the last time. This article has been maturing inside my head for a while now and the latest events in the interchangeable lens camera market, along with a couple of scandals that appeared on the news, have only pushed it forward. Only a short while ago I read a comment under the “Nikon D610 Does Not Have a Dust Issue” article left by one of our readers who quoted a response he received from Nikon Europe Support about Nikon D600 dust accumulation problems. Here is the response:

Nikon D600

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Open and Closed Composition: Assignment Discussion

A few months ago, I started the Mastering Composition series of articles. The goal of these articles was not only to give some useful composition tips for beginners, but to also engage our readers with small assignments. The assignment given to you in the first article of the series has already been addressed in the recent discussion. In this short article, we will address the assignment given in the “Open and Closed Composition” piece.

Turret Arch through North Window

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