Nikon 800mm f/5.6E FL ED VR Announcement

Along with the Nikon 18-35mm f/3.5-4.5G ED lens, the Nikon 800mm f/5.6E FL ED VR lens has also been announced (the first announcement was posted here). Initially, I wanted to post both announcements in a single article, but after reading about the new 800mm lens in detail, I decided to do a separate post on it. Why? Because the new 800mm has a lot of new technological advancements that I believe will make their way into future Nikkor lenses. At a jaw-dropping price of $17,899.95, the Nikon 800mm f/5.6 is surely not for everyone. However, considering what this lens has to offer, there is no other equivalent lens on the market today in terms of optical performance – more on this below.

Nikon 800mm f/5.6E FL ED VR

Until the 800mm f/5.6 came out, Nikon’s longest super telephoto lens was the Nikon 600mm f/4G VR. To get longer focal lengths, one would have to use teleconverters – 2.0x with the 400mm f/2.8 to get to 800mm f/5.6, 1.4x with the 500mm f/4 to get to 700mm f/5.6 or 1.4x with the 600mm f/4 to get to 840mm f/5.6. Unfortunately, no other TC combination resulted in acceptably good autofocus performance and accuracy. So why do we need a dedicated 800mm f/5.6 lens, if one could get to 800mm with teleconverters? Because teleconverters degrade image quality, AF performance and AF accuracy, whereas properly arranging optical elements inside the lens can yield maximum performance. So a true 800mm lens will always yield better results than a shorter lens with a teleconverter attached to it. In addition, with the latest generation Nikon DSLRs that can autofocus at small apertures up to f/8, one could get even longer focal lengths with a separate teleconverter. Which is exactly what Nikon did with the 800mm that ships with the TC800-1.25E teleconverter that provides additional magnification to get to 1000mm. Sounds like an overkill, but it has its uses – whether in sport, news, wildlife photography or other special needs.

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Nikon 18-35mm f/3.5-4.5G ED Announcement

Along with a slew of new point and shoot cameras (which we at Photography Life do not particularly care about), Nikon announced an updated version of the Nikon 18-35mm f/3.5-4.5 lens – a budget lens designed for both DX and FX cameras. The new Nikkor 18-35mm f/3.5-4.5G ED replaces the 13 year old 18-35mm f/3.5-4.5D lens, which had never been a popular lens to begin with. So it was about time to update the lens with better optics, AF-S and other newer technologies.

Nikon 18-35mm f/3.5-4.5G ED

So what does the updated 18-35mm bring to the table compared to the previous model? First of all, the focus motor has been replaced with the latest generation AF-S motor, which means that autofocus will work on any modern Nikon DSLR, including entry-level models like D3200 without a built-in motor. Second, the optical formula has been updated – the new 18-35mm has 12 elements in 8 groups, versus 11 elements in 8 groups on the AF-D version. More ED and Aspherical lens elements have also been added for better clarity and contrast. Third, thanks to this updated optical design, the minimal focus distance has also been shortened to 0.28m from 0.33m. Fourth, the new lens is of “G” type, which means that the aperture ring is no longer there. Fifth, the lens exterior has been completely redesigned to make it look just like all modern AF-S lenses and the typical M/A / M switch has also been added. Lastly, the new 18-35mm is slightly larger than the old version and also weighs 15 grams heavier.

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What is Field Curvature?

Field Curvature, also known as “curvature of field” or “Petzval field curvature”, is a common optical problem that causes a flat object to appear sharp only in a certain part(s) of the frame, instead of being uniformly sharp across the frame. This happens due to the curved nature of optical elements, which project the image in a curved manner, rather than flat. And since all digital camera sensors are flat, they cannot capture the entire image in perfect focus, as shown in the below illustration:

Field Curvature

In a simple field curvature scenario like above, the light rays are perfectly focused in the center of the frame, at Image Plane A (where the sensor is). Since the image is curved, sharpness starts to drop as you move away from the center, resulting in less resolution in the mid-frame and much less resolution in the corners. The circular “dome-like” image in three dimensional form is shown to the right of the illustration. If the corner of the image is brought into focus, which would move the image plane closer (Image Plane B), the corners would appear sharp, while mid-frame would stay less sharp and the center would appear the softest. The effect of field curvature can be very pronounced, especially with older lenses.

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Photography Life is Hiring!

NOTE: Due to an overwhelming number of responses, we are no longer accepting applications.

Photography Life

We are looking for creative writers to contribute content to our blog and help expand our reach in 2013 and beyond. If you like what we do and you would like to be a part of our growing website, please contact us as soon as possible. The opportunity is for 100% remote work, so you can do everything from home at your own pace and schedule. This is a part time, pay per article opportunity, with a potential to become a full time position in the future. Please see the below requirements before contacting us.

There is no need to send your resume/CV, as long as you meet the below requirements:

  1. Must be at least 18 years old
  2. Must be fluent in English and have solid writing skills
  3. Must have good general knowledge of photography and be current with the latest trends in the industry
  4. Part-time professional photographers and advanced amateurs preferred
  5. United States and State of Colorado Residents preferred, but not required

We are also looking for a person who can write gear reviews (in addition to content writers, as outlined above), specifically on cameras and lenses. This particular opportunity requires US residence (lower 48 states), since the person will be receiving gear for testing from our partners.

If you are interested, please use the form in the “contact us” page with the subject line “Photography Life Job Opening”. Please include a short bio of yourself, the position you are interested in, a link to your online portfolio (important, since your pictures tell a lot about you) and whatever else you feel like sharing with us. Also, if you have previously applied to work with us before, you can reapply this time again.

The Most Desired Future Nikon Lenses

One topic that many of us Nikon shooters often discuss between each other in local groups, online forums and various photography clubs, is lenses that we wish Nikon had. Sometimes a desired lens comes from our experience from using a lens from another brand, sometimes it is something that does not exist, but we wish existed to make our photography easier, more fun, etc. While Nikon has been doing a great job filling in the holes during the last several years, with lenses like >Nikon 16-35mm f/4G VR, 24-120mm f/4G VR, 28mm f/1.8G, 50mm f/1.8G, 85mm f/1.8G and 70-200mm f/4G VR, there are still plenty of lenses that Nikon should have in its arsenal. In this article, I will go over the most desired future Nikon lenses, the ones that have not been released yet, but I really wish to see come to life soon. I guess you can also call the below a “wishlist” of unannounced Nikon lenses.

Nikon Lens Wishlist

1) DX LENSES

I will first start out with DX primes. While I believe the DX market will probably go away sometime in the future (as I pessimistically shared in my “why DX has no future article“), thanks to the fast growth of the mirrorless market and lack of attention to DX users from Nikon, there are still a lot more DX cameras out there today than FX. If Nikon wants to keep its DX line attractive for the next 5-6 years, it should not only develop great DX camera bodies, but also great DX lens options.

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The End of the Year Deals are Not Over

Looks like the holiday deals are not over. This time, it is the Nikon D7000 that goes on sale, with more goodies from B&H to sweeten the deal. While I do not consider this as good of a deal as the Nikon D600, it is still a pretty good sale for those that do not want to part with their DX lenses and stick with the APS-C sensor. This sale is a good indication that the D7000 will be replaced pretty soon, probably in Q1 of 2013. If you would like to check out my thoughts on the D7000, see my Nikon D7000 review that I published a while ago.

Nikon D7000

So here are the details for the Nikon D7000 discount:

  1. Nikon D7000 SLR Digital Camera $1,196.95
  2. Nikon 18-200mm f/3.5-5.6G ED VR II Lens $846.95
  3. Nikon Normal AF Nikkor 50mm f/1.8D Lens $124.95
  4. Vello BG-N4 Battery Grip for Nikon D7000 $69.95
  5. Sandisk 16GB SDHC Extreme Class 10 $24.06

The price is discounted by $765.91, so you get the whole deal for a total price of $1,496.95

On top of that, B&H will overnight this camera to you, so that you get it before Christmas.

Nikon 70-200mm f/4G VR – Incredible!

I know that many of our readers have been patiently waiting for me to publish my upcoming Nikon 70-200mm f/4G VR Review (Update: the review has been posted right here). While the review is under way, I have a lot of gear in my hands that I need to test and hence, it is a little delayed. Thanks to my friend David Bassett, I had a chance to play with the 70-200mm f/4 for the last couple of days until I receive my copy from B&H (should be arriving later this week, along with the Sigma 70-200mm and Tamron 70-200mm). One of the first things I did after I got the lens, was mount the lens on my D800E and test it in a lab environment for its resolution capabilities. As you can see from the below comparisons with my beloved Nikon 70-200mm f/2.8G VR II, the 70-200mm f/4G VR performed incredibly well. I am stunned and seriously in love – wife said that she doesn’t mind :) Once again, Nikon produced an absolute winner, a true gem that will quickly become a favorite lens by many. First, we had the 50mm f/1.8G, then the 85mm f/1.8G and now the 70-200mm f/4G. As I have said before, it is a good time to be a Nikonian! Superb camera bodies, excellent lenses – a great system overall.

Nikon 70-200mm f/4G ED VR

So here is the Nikon 70-200mm f/4G VR @ 70mm:

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Nikon D800/D800E/D600 Instant Rebates Extended

I was first told that the D800/D800E/D600 instant rebates from last week would only last a couple of days. It turned out that the deals got pretty popular, because B&H ran out of the D600 stock pretty quickly. They were able to get a brand new shipment of the D800, D800E and D600 cameras quickly today, so I was told that the rebate program will continue, probably till the end of the year (December 29th, 2012 is the last date) or until the stock is completely depleted and Nikon cannot supply cameras fast enough.

Nikon D600 vs D800

Anyway, here are the Nikon deals once again:

  1. Nikon D800 – $200 off instantly (body only) – $2796.95 ($2,999 reg). Click on the “Savings Available” link and add Nikon 24-70mm f/2.8G for another $200 off, Nikon 70-200mm f/2.8G VR II for another $200 off, Nikon 70-300mm VR for yet another $200 off and Nikon 28-300mm VR for another $150 off – a total of $950 in instant savings! The Nikon D800 also comes with the following: Lowepro Rezo 170 AW Camera Shoulder Bag, Vello FreeWave Wireless Remote Shutter Release for Nikon w/10-Pin Connection, SanDisk 32GB CompactFlash Memory Card Extreme 400x UDMA and Pearstone EN-EL15 Lithium-Ion Battery Pack (7.0V 1800mAh) ($214 value) – Up to $1,164 in total savings
  2. Nikon D800E – $200 off instantly (body only) – $3096.95 ($3,299 reg). Same deal with lenses – pick any of the above-mentioned lenses and you can shave up to $750 off in instant savings in lenses alone. Unfortunately, no other incentives except for the 2% cach back are included.
  3. Nikon D600 + Nikon 24-85mm VR – $700 off instantly – $1,996.95 ($2,699 reg). Same deal with lenses – pick any of the above-mentioned lenses and you can shave up to $750 off in instant savings in lenses alone. To sweeten up the deal, B&H is also adding the following: Lowepro Rezo 170 AW Camera Shoulder Bag, SanDisk 32GB SDHC Memory Card Extreme Class 10 UHS-I, Pearstone EN-EL15 Lithium-Ion Battery Pack (7.0V 1800mAh) and Oben ACM-2400 4-Section Aluminum Monopod
    ($174 value) – Up to $1,625 in total savings

Please note that there are additional savings to the above – the Nikon D800/D800E qualify for 2% additional cash back, while the D600 has a 4% cash back program through B&H!

Nikon D800 vs D800E

I got a number of emails from our readers, asking if they should go with the D800 or the D800E for their photography. As I have pointed out a number of times in articles like Nikon D800 vs D800E before, the D800E is a specialized tool that should be used for landscape, nature and macro photography, where fine, repetitive patterns are rarely present. If you like doing portrait photography and occasionally shoot landscapes, then get the D800. The difference between the D800 and D800E is very minor that you normally won’t be able to see. So for 98% of photographers out there, the D800 is the camera to get. Plus, the deals above for the D800E do not include all the goodies from B&H – just the bare $200 off, plus lens rebates…

For dedicated landscape gurus, the D800E is going to give the best possible image quality from the 36 MP sensor.

Battle of the Mirrorless – Part 1 (Dynamic Range)

As promised, I have performed some additional dynamic range tests on the mirrorless cameras I am testing (Nikon 1 J2, Canon EOS-M, Sony NEX-F3, Sony NEX-5R, Sony NEX-6, Sony NEX-7 and Olympus OM-D EM-5) and I have the data ready for your viewing pleasure. As expected, the Sony APS-C sensors performed the best, with the Sony NEX-5R and NEX-6 leading the game (although other NEX series are extremely close) followed by the Olympus OM-D EM-5, then Canon EOS M and then finally the Nikon 1 J2. Here is a comparison chart that shows performance of the various mirrorless cameras:

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Battle of the Mirrorless – Part 1 (Low Light Performance)

I have spent a considerable amount of time working with 7 different mirrorless cameras from Sony, Canon, Nikon and Olympus. I apologize for not being able to provide periodic updates on these cameras. I have come up with new ways to measure digital camera sensor performance, so it took me a long time to do it in a way that I believe will be more accurate and objective compared to my previous methods. Not only will you be seeing crops of sensor performance in a controlled environment, but I will also provide some numbers to quantify performance in colors and dynamic range. As I have already mentioned before, I will be measuring dynamic range myself going forward without having to rely on other websites for the data. It will be interesting to see how my data compares to other sites like DxOMark. I am not planning to do anything super intensive and I bet my measurements will not be without issues and errors, but I believe it is something worth trying. Hopefully it will give a different perspective to testing sensors.

Here is the first test that shows the low light performance of the following mirrorless cameras: Nikon 1 J2, Canon EOS-M, Sony NEX-F3, Sony NEX-5R/NEX-6, Sony NEX-7 and Olympus OM-D EM-5. Since these cameras all look excellent at ISO levels between 100 and 800, I decided to only show ISO performance at 1600 and above. Take a look!

Nikon 1 J2

Nikon 1 J2 ISO 1600 Nikon 1 J2 ISO 3200

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