As you may already know, our friends at Fstoppers are hosting workshops in the Bahamas this year, at the Atlantis Resort. When I met Patrick and Lee earlier this year at the Photo Plus conference, I had a chance to talk to them about the workshop and they were super excited about it. When compared to other workshops and conferences, the idea behind the Fstoppers workshop is very unique – to gather a relatively small group of photographers and have them spend time not only learning from some of the best photographers and instructors, but also get to know them in person, along with meeting other industry peers. And instead of doing it in a traditional classroom format, do it in a remote location to combine education with personal vacation and fun.
Thanks to the rise of the mirrorless camera market, manufacturers are now creating more and more segments in their camera lines. With the introduction of the X-T1, Fujifilm now boasts a total of 5 different cameras, all targeted at different segments. Today Olympus also extended its line of mirrorless cameras by introducing the new Olympus OM-D E-M10, a budget version of the OM-D premium mirrorless cameras. Next to the OM-D E-M1 and OM-D E-M5, this is now the third premium camera designed to appeal the enthusiast crowd. It borrows most of its guts from its bigger brother, the OM-D E-M5, but in a smaller and lighter package. Priced at $699 MSRP, it is significantly cheaper than other OM-D series cameras. In a way, it is a confusing release, because it is even cheaper than the PEN E-P5 (currently at $799). Since all PEN series do not come with a built-in electronic viewfinder or weather sealing options, they are technically inferior to OM-D series. Now with the the OM-D E-M10, it is hard to say exactly what market this camera is targeted for, with its features and price range in comparison. Let’s take a look at the camera in more detail.
Key Specifications and Overview
While the Olympus OM-D E-M10 has a 16 MP sensor, it is slightly different than the one used on the OM-D E-M5. First, it has a little less resolution (16.1 MP vs 16.3 MP) and second, it features boosted ISO 100 (Low), similar to what the E-M1 does. Its image processor is the same one as used on the E-M1 (TruePic VII with Fine Detail Processing II). The first major difference between the E-M10 and its bigger siblings is the somewhat limited in-body stabilization. Both E-M1 and E-M5 have 5-axis image stabilization, while the E-M10 has 3-axis stabilization. Another difference is the slower speed of 8 fps in single mode and 3.5 fps in continuous mode (the E-M5 is 9 fps / 4.2 fps and the E-M1 is 10 fps / 6.5 fps). Shutter speed is limited to 1/4000 and the viewfinder is the same 1.4 million dot EVF found on the E-M5. The LCD screen has not changed, it is still a high resolution 3.0″ tilting one.
During the last few weeks, I have been trying to come up with a good solution for testing lenses that did not require constant movement when dealing with slightly de-centered lenses. The idea was to build a setup similar to macro rails, but one that is bigger in size and very stable at the same time. Stability is extremely important, because even a slight vibration can negatively affect lab results. Using an Arca-Swiss quick release setup was a no-brainer, because it allows moving the setup without having to deal with mounting and dismounting anything, while being rock solid when tightly secured. While my BH-55 Pro tripod head from Really Right Stuff has been serving me well for a while now, it was hard to use for minute adjustments that are often necessary when testing lenses. Therefore, I decided to replace it with a geared head that would allow very precise vertical and horizontal tilt adjustments, along with the ability to pan, when needed. My quick search revealed that unlike the army of pan/tilt heads and ballheads, which are made by a myriad of companies, there are only a few options available for geared heads today. One of them is the Manfrotto 405 Pro Geared head, which I am reviewing today.
When photographing in artificial light, one has to always watch out for the potential light frequency issue. Due to the different intensities and wavelengths of light emitted by fluorescent and other sources of man-made light, there might be severe variations in exposure when photographing at fast shutter speeds. This is a similar “flickering” issue that you see when photographing or video-recording a TV screen – different light frequencies cause the flicker that is recorded by the camera. This can happen both when taking an image and when recording videos. Take a look at the following image, which I captured in a low-light situation using the Nikon Df:
We have been constantly running out of stock for the sensor gel stick and I am happy to say that we are now fully stocked, hopefully for a while! The limit set for how many sticks you can order has also been removed and we are now shipping internationally to many countries. If you select your country and you get an error that says “Sorry, it seems that there no available shipping methods for your location”, it means that we are not shipping to your country yet. Please use the Contact Us form and let us know where you want the sensor gel stick shipped and will consider it.
By now we have shipped over 700 units, mostly to US and Canada. If you are a happy customer, please leave some feedback on the product page. We know that many of you love the sensor gel stick, but some more feedback would surely be appreciated :) Thank you!
When testing lenses, I have to make sure that my setup is calibrated and the camera is perfectly aligned with the test chart. The process can take quite a bit of time, since I have to take a picture, make minute adjustments, then take another picture and retest again. In some cases I have to repeat the process many times over, which can be very painful. To simplify and speed-up the process, I have been connecting my laptop (which sits right under the tripod) directly to the Nikon D800E with a USB cable and have been using Nikon’s Camera Control Pro to dump files into a local folder, from which I pick up and process images using Imatest software. The problem with this approach has been speed – Imatest is pretty demanding when it comes to processing large RAW files from the D800E and my laptop just could not keep up. So I ended up moving the software to my powerful desktop machine, which created another problem. Every time I take a picture and need adjustments, I have to walk back and forth between the camera setup and the computer to analyze the results and make adjustments. USB 3 cables have length limitations and even with “active” USB 3 extension cables, the maximum length is typically under 10 meters. And that’s just not going to work for me, since I often test telephoto lenses and I have to be more than 10 meters away. To address these issues, I decided to try some wireless solutions that are available on the market. The first and the cheapest product to try was the Eye-Fi Pro X2 memory card. I got a 16 GB version and wanted to see just how well the card with its software could work for my setup. In this review, I will be focusing primarily on the transfer speed of the card and its usability with the Nikon D800 / D800E DSLR.
This is a short review of the Lexar Professional 400x SDHC UHS-I Class 10 card, which I have been using for the past 6 months. I have owned 4 of these cards in 16GB capacity and decided to write a review after every single one of them failed. I have never had such problems with memory cards, especially those that have a “professional” label attached to them. So this is more of a warning to potential owners, rather than a full-blown review of a product.
When it comes to memory cards, the market is simply overflowed by so many different brands and different types of cards, that it can get quite overwhelming for a first time buyer. Out of all those brands, the two most popular ones in the USA are SanDisk and Lexar. They put a lot of effort into marketing their products, particularly in the professional photography arena. For years I have been relying on SanDisk cards and have owned many Compact Flash and SD cards from them. Perhaps I have been lucky, but during the last 7 years, I have never had a single SanDisk card fail (I still own some pretty old 2 GB SanDisk cards). So last year when there was a good promotion on Lexar Professional cards and after I heard so many good things about the brand, I decided to give Lexar a try and purchased four of the professional 400x SDHC class 10 cards.
This is an in-depth review of the Sigma 18-35mm f/1.8 DC HSM Art lens, world’s first constant f/1.8 zoom lens for DSLR cameras that was announced in April of 2013. Despite the recent trend of manufacturers to move their customer base to full-frame format, Sigma took a bold move and announced the professional-grade Sigma 18-35mm f/1.8 Art for DX/APS-C format only. With a focal range equivalent to 27mm-52.5mm in 35mm format, the lens provides a good range to work with for a variety of different needs and applications. And with its fast constant aperture of f/1.8, the Sigma 18-35mm opens up opportunities to shoot in low-light situations, something that was previously only possible with fast aperture prime lenses. Lastly, Sigma’s pricing of $799 MSRP for the lens made it the top choice in terms of value when compared to pro-grade lenses such as the Nikon 17-55mm f/2.8G DX, which sells for almost twice as much and does not offer the same low-light advantages.
Chris Hejnar from Hejnar Photo Store is kindly giving a special 10% off discount coupon code for Photography Life readers. So if you want to buy his products at even a better price, please use the coupon code below. As I have pointed out in my Hejnar Photo Accessory Review, their Arca-Swiss compatible products are top notch in terms of quality, easily comparable to Really Right Stuff, Kirk and other top brands in the industry. Plus, Chris makes products right here in the US, so by purchasing from him we are supporting a growing small business (and at PL, we do care about US businesses competing with cheap foreign labor).
To take advantage of this 10% offer, please use the 012ccfcfb1 discount coupon upon checkout. This coupon is good for a year and if we continue supporting Chris, he will be able to extend the offer even more going forward. Please note that Photography Life does not earn any revenue from this offer. We are purely doing this to support a local business.
About 3 weeks ago, I decided to make some changes to my tripod setup in my lens testing lab, in order to make it easier, more consistent and fluid to test lenses. My decision was based on the fact that I found myself moving the tripod a bit too much when testing lenses, especially the de-centered ones (those that do not have a straight optical axis due to a slight dislocation of one or more lens elements). I decided to replace shorter macro focusing rails for much longer and bigger rails, so that I could have more room for side to side movement and more focus bracketing options for testing telephoto lenses. As I was configuring the setup, I realized that I needed to spend close to $2K in a more versatile tripod head and lots of Arca-Swiss rails, clamps and other accessories. The first task was to replace the standard quick release plate of the heavy duty Manfrotto 405 Pro Geared Head (to be reviewed later) with an Arca-Swiss quick release clamp. As usual, I started researching for a proper solution on Google, which pointed me to Hejnar Photo Store on the first page of search, with exactly the product that I was looking for. I then spent another 30-45 minutes researching the solution and read a number of posts on different forums, where people were raving about Hejnar Photo’s products, including the adapter that I needed. This was very important for me, because I needed a setup that would be extremely reliable and stable, especially for handling heavy super telephoto lenses.
Although I have never heard of the company before, I decided to give it a try and purchased the Arca-Swiss adapter and clamp for the Manfrotto 405 tripod head, along with a bunch of other accessories for my custom setup. The pricing was very good, so I wanted to see how Hejnar Photo’s products would compare to the most popular brands like Really Right Stuff. My order was processed on the same day and the package was shipped to me right away without any delays. After a few days, I received everything I ordered and started modifying the Manfrotto 405. After going through the instructions on Hejnar Photos’s website (which are nicely laid out with images), I was able to modify the head in less than 5 minutes. Once everything was put together, I was pleasantly surprised by how solid the setup was. I slid one of the long rails on Hejnar Photo’s tripod clamp and once secured, it was rock solid. No vibrations of any sort – and that’s exactly what I need for testing lenses! Here is the image of one of the configurations: