Wedding Photography Tips: Synchronize Your Cameras

Due to popular demand, we are starting our new series of articles on commercial wedding photography. Since I have been helping out my wife with her wedding business, being a second shooter during weddings and engagement sessions, I have been writing down some helpful tips, which I am planning to provide on Photography Life. These tips range from very basic things like preparing for the wedding day, to complex setups involving specific situations, like setting up flashes indoors. Our first wedding photography tip is about properly synchronizing time on cameras when working with second shooters and assistants. If you have been commercially photographing weddings, you might have already been frustrated to see photographs from multiple cameras get mixed up when you import them to an Aperture or Lightroom catalog. It is not pleasant to see ceremony images mixed with images from the dance floor and it is certainly not fun to try to go through hundreds, if not thousands of photos and sort through them one by one. Gladly, there are workarounds to situations where it had already happened, which I will share with you in this article. First things first, let’s talk about the proper way to synchronize time between multiple cameras.

20100703-Erica-and-Brett-Wedding-479

How to Properly Synchronize Time Between Multiple Cameras

The easiest method that works every time for us and many others, is to have each person hold his/her camera, get into the camera menu and set specific time. On Nikon DSLRs, for example, time can be changed via “Setup Menu”->”Time Zone and Date” or “Setup Menu”->”World Time”->”Date and Time”. Once time is set to an exact hour, minute and second, everyone in the party must press the “OK” button at the same time. This will make sure that the timer starts at that exact time on every camera. If you use two cameras yourself, just set the time on each camera, then press the OK button simultaneously. The idea is to have the time set exactly the same, second to second, across all cameras, so that shots appear in proper order later. The set time does not have to match real time. As long as all cameras have the same clock time, your images will appear in correct order when post-processing them later.

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Nikon D7100 Giveaway Winner

Today we are announcing the lucky winner of the Nikon D7100 Giveaway that we hosted until April 5, 2013. We had about 7500 candidates, but unfortunately, only one of them gets to win the camera. Rafflecopter, the platform we used for this contest generated a random number for us from the final list of candidates and the winner happens to be entrant #3818.

Nikon D7100 Giveaway

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Image Degradation with Nikon Teleconverters

A fellow photographer recently asked me how much image degradation one would see with each Nikon teleconverter. As a nature photographer, I have been wondering myself about this for a while, but never had a chance to actually quantify what the image degradation figures would look like when using the TC-14E II, TC-17E II and the TC-20E III with Nikon lenses. I have been relying on field use and my vision so far and here is what I have thought about each teleconverter.

AF-S Teleconverter TC-14E II

The Nikon TC-14E II is excellent. I have not seen it degrade image quality on any Nikon lenses to the level where I could see obvious loss of contrast or sharpness. I have used it with the 105mm VR, 70-200mm f/2.8G VR (the old one, as well as VR II), 300mm f/4 and pretty much on every expensive super telephoto lens. I take it with me everywhere and mine stays pretty much glued to my favorite Nikon 300mm f/4 AF-S the majority of the time – that’s what I use primarily for birding. When shooting with my Nikon 200-400mm, I don’t hesitate to use the TC-14E II, because it does a very good job sharpness and contrast-wise and AF stays accurate and fast. It is obviously the smallest and the lightest of the three.

AF-S Teleconverter TC-17E II

The Nikon TC-17E II is a mixed bag. It works with many Nikon lenses, but it slows down AF and impacts AF accuracy. Not as good of a TC to be used with slower f/4 lenses, which includes the 300mm f/4, 200-400mm f/4 and 500mm f/4 lenses. I tried to use it with my 300mm f/4 and it makes the lens hunt a lot, especially in anything but good light environments. The same thing with the Nikon 200-400mm f/4, even with the latest camera bodies like Nikon D4. Because of this, I rarely use mine. On fast f/2-2.8 lenses, however, it does pretty well. It works great on the Nikon 70-200mm f/2.8G VR II and it does not disappoint with the 200mm f/2, 300mm f/2.8 and 400mm f/2.8 lenses.

AF-S Teleconverter TC-20E III

The Nikon TC-20E III is much better than its predecessor (which was very disappointing with many lenses). I was pretty shocked to see it perform very well with the 70-200mm f/2.8G VR II (stop down to f/8 for best results), because the 2x TC was always known to be bad with zoom lenses. It works like a champ with the 300mm f/2.8 and 400mm f/2.8 lenses. On slower f/4 lenses, however, it is still pretty disappointing. It is unusable on the Nikon 300mm f/4 and 200-400mm f/4 lenses and while it will work with the 500mm f/4 and 600mm f/4 lenses, you will have to stop down to f/11 to get anything reasonably good and you will need to use one of the latest Nikon DSLRs like D4 that can handle f/8 lenses. Not a great setup for fast action, but could work for large animals from a very long distance.

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Nikon Quality Assurance and Marketing Gone Wrong

As I was writing my Nikon D7100 vs D600 comparison article a while ago, I had a lot of conflicting thoughts that crossed my mind and made their way to the article. I then decided to refrain from making the comparison article negative and rather move my thoughts to a separate post, because I thought that it would be worth the discussion with our readers…

Reikan FoCal Nikon D800 Test

Nikon Quality Assurance Gone Bad

Nikon has been quite active since last year. We have seen a lot of ups and downs of the company, most notably with the amazing D800 and D600 cameras that became available last year, both of which were accompanied by quality assurance issues and escalated into the “Nikon D800 autofocus fiasco” and the “Nikon D600 dust issue“. And as you may already know, these problems were covered rather extensively on our website through detailed posts and reviews.

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Nikon D7100 Shipping Today + Instant Rebate

For those who have pre-ordered the Nikon D7100, B&H is now shipping D7100 units from their store as of today. I am being told that orders are getting fulfilled and so far the stock looks good. Looks like Nikon did a much better job with availability with the D7100 compared to the D800. At the same time, Nikon has announced a $100 instant rebate on the Nikon D7100 + 18-105mm lens kit. This goes on top of the existing instant rebates on Nikon lenses that were extended till the end of March.

Nikon D7100 Front

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Important Nikon D7100 Giveaway Update

It looks like many of the participants of our Nikon D7100 giveaway are not following the instructions correctly. A number of participants are clicking the “I’m a Fan!” button in the giveaway without first “Liking” our Facebook page. Please keep in mind that you must be a fan of our site and B&H on Facebook in order to qualify for this giveaway. If you have already done all three steps to enter the giveaway, please go back to the D7100 giveaway page, then click the “edit” page where it says “Easy entry for all photographylifeblog fans” and click the small “Like” button.

Edit Button

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Nikon D7100 Giveaway

NOTE: The giveaway has now been closed. Thank you for participating! The winner will be announced shortly.

Yes, we are doing it again! In partnership with B&H, we are giving away a brand spanking new Nikon D7100 (camera body only) to one lucky reader of Photography Life! The giveaway is open to everyone and we will ship the camera worldwide to the winner (some restrictions apply, see below). We are very excited about this giveaway and we want to let you know that we will have even more rewarding giveaways and contests in the near future! The current D7100 giveaway is done to promote our Facebook pages and to increase the number of Facebook followers.

Nikon D7100 Giveaway

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Nikon Lens Instant Rebates Extended

I have received a number of emails from our readers that were not able to purchase Nikon lenses on time, before the rebate program ended. Thankfully, looks like the rebate program deadline was too short, so Nikon decided to extend it further until March 30, 2013. Since March 31 is Nikon’s financial year end, the goal is obviously to continue to push lens sales as much as possible. I seriously doubt that this specific lens rebate program will be available later this year. Unless Nikon is in serious financial trouble, rebate programs will probably only include DSLR + lens discounts like we have seen in the past.

Nikon Lens Rebate Program

Once again, if you are wondering about which lenses I personally recommend, see my previous article on the rebate program.

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Nikon 80-400mm f/4.5-5.6G vs 80-400mm f/4.5-5.6D

In this article, I will compare the new Nikon 80-400mm f/4.5-5.6G ED VR and its predecessor, the Nikon 80-400mm f/4.5-5.6D VR. Since the lens has just been announced, I have not had the chance to use it and compare it with the older 80-400mm lens. I am planning to expand this comparison further, once I have both lenses in my hands later this year. For now, I will go over specifications and compare both lenses side by side using information provided by Nikon, as well as MTF charts. First, we’ll get started with specifications:

Nikon 80-400mm AF-S vs AF-D

Lens Specifications and Comparison

FeatureNikon 80-400mm AF-SNikon 80-400mm AF-D
Mount TypeNikon F-BayonetNikon F-Bayonet
Focal Length Range80-400mm80-400mm
Zoom Ratio5x5x
Maximum Aperturef/4.5-5.6f/4.5-5.6
Minimum Aperturef/32-40f/32
FormatFX/35mmFX/35mm
Maximum Angle of View (DX)20°20°
Minimum Angle of View (DX)
Maximum Angle of View (FX)30°10′30°10′
Minimum Angle of View (FX)6°10′6°10′
Maximum Reproduction Ratio1/5.7x (1/5.1x in MF)1/4.8x
Lens Elements2017
Lens Groups1211
Compatible Format(s)FX, DX, 35mm FilmFX, DX, 35mm Film
VR (Vibration Reduction)YesYes
VR Technology2nd Generation1st Generation
Diaphragm Blades99
Distance InformationYesYes
Nano Crystal CoatYesNo
ED Glass Elements43
Super ED Glass Elements1N/A
Super Integrated CoatingYesYes
AutofocusYesYes
AF-S (Silent Wave Motor)YesNo
Internal FocusingYesNo
Minimum Focus Distance5.74 ft. (1.75m)7.5 ft. (2.3m)
Focus ModeAuto, Manual, Auto/ManualAuto, Manual, Auto/Manual
G-typeYesNo
Filter Size77mm77mm
Accepts Filter TypeScrew-onScrew-on
Dimensions3.8 x 8.0 in. (Diameter x Length), 95.5 x 203mm (Diameter x Length)3.6 x 6.7 in. (Diameter x Length), 91 x 171mm (Diameter x Length)
Weight56 oz. (1570g)47 oz. (1360g)
Supplied AccessoriesHB-65 Lens Hood, LF-4 Rear Lens Cap, LC-77 Snap-On Front Lens Cap, CL-M2 Ballistic Nylon Lens CaseHB-24 Hood, CL-M1 case, 77mm lens cap, Rear lens cap

Let’s go over the differences between the two now. The very first major difference between the two lenses is obviously the optical lens design. The new 80-400mm lens has a completely new optical formula, with 20 elements in 12 groups, while the older version has 17 elements in 11 groups. So we are not just talking about new tweaks to the lens – this is a whole new design. Here is the comparison of lens construction on both lenses:

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Nikon 80-400mm f/4.5-5.6G ED VR Announcement

In a rather surprising announcement today, Nikon released a major update to the existing 12 year old Nikkor 80-400mm AF-D lens. The new Nikon AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR has a completely redesigned internal focus optical formula with Nano Coating, Super Integrated Coating and extra-low dispersion glass elements. On top of that, the lens sports a second-generation Vibration Reduction (VR II) system for up to 4 stops of shutter speed compensation and a silent wave motor (SWM / AF-S), which means that autofocus will function on any modern Nikon DSLRs, including entry-level models like D3200. This is one of the few Nikkor lenses to have “Super ED Glass”, which has a lower refractive index and light dispersion than ED glass, making the new 80-400mm a premium lens for both enthusiasts and professionals. And with a versatile focal length of 80-400mm, the lens is well-suited for sports and nature photography.

Nikon 80-400mm f/4.5-5.6G ED VR

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