Our readers often ask us if it is possible to get Lightroom to provide the same colors as one would see from camera-rendered JPEG files when shooting in RAW format. Many photographers often choose specific color profiles in their cameras and they get surprised when images are imported into Lightroom and all those changes are lost. You might have noticed when importing files that Lightroom changes the colors immediately after import, when the embedded JPEG files are re-rendered using Adobe’s standard color profiles and settings. As a result, images might appear dull, lack contrast and have completely different colors. I have heard plenty of complaints on this issue for a while now, so I decided to post series of articles for each major manufacturer on how to obtain more accurate colors in Lightroom that resemble the image preview seen on the camera LCD and in camera-rendered JPEG images. In this article, I will talk about getting accurate colors from Sony DSLRs, SLTs and mirrorless cameras in Lightroom. Please see our other articles on getting accurate colors for Nikon, Canon and Fuji cameras.
We would like to congratulate our readers from the USA with the Independence Day! Fourth of July is a big day not just because you get to see beautiful fireworks (see my article on photographing fireworks) and enjoy a day off celebrating and remembering the sacrifices of the founders of this great country, but also because you get a great opportunity to save. Below are some of the best deals that we found for you.
Let’s kick off with the best deal of the day – the Canon EOS Rebel T3 with 18-55mm IS II lens is $299 ($150 off). That’s a pretty solid DSLR with a lens for $300!
We are once again excited to bring you one more person who will be joining our team here at Photography Life – Sharif, with Alpha Whiskey Photography! Sharif has been a long-time reader of PL and I have been a fan of his photography for a while now, often checking his stunning work on his photo blog. I was fortunate enough to finally meet Sharif during our London Photo Walk earlier this year, after which I exchanged a couple of emails with him and asked to write a guest post at PL. Sharif is a living example of superb photography skill and vision before gear (something we have been preaching for a while now) – he produces superb work no matter what he shoots with, whether it is his phone, his Olympus OM-D E-M5 Micro Four Thirds camera, or a full-frame DSLR. I am honored to introduce Sharif to our team and I am looking forward to seeing more educational posts that will benefit everyone, including myself. Please give a warm welcome to Sharif!
Don’t you love it when someone that shares your passion and dream joins you in pursuit of sharing knowledge with the rest of the world? Today we are happy to announce yet another amazing photographer join our ranks – John “Verm” Sherman. As you have already seen from his amazing and funny posts, John is truly passionate about photography, particularly wildlife photography. Please give a warm welcome to John! Below is his favorite photos, along with his bio.
With the release of the D4s and D810 cameras, Nikon has introduced a new format to store images – sRAW, or “RAW Size Small”, as referred to by Nikon. Although Canon has had this format available in its DSLRs for years, this is Nikon’s first time introducing it. As a result, a lot of Nikon users are wondering what this format is, how it works and how it compares to standard RAW files. Personally, I had very limited knowledge of this format and thought it would be an exciting feature, until I dug deeper and found out what it was all about. After a few hours of research (and some input from Iliah Borg, I decided to summarize my findings in this article, which I hope our readers will find useful. Let’s start with the basics first.
1) What is sRAW?
sRAW, which stands for “Small RAW” or “Small Resolution RAW” is a file format that was introduced by Kodak to allow photographers to capture images at smaller size in order to allow more images to be stored on memory cards and allow for faster workflow when full resolution files are not needed (since computers were slow for processing RAW data). The sRAW format was created as a bridge between full resolution RAW files and JPEG images. Since JPEG images are already processed, compressed and only contain 8-bit data, sRAW allowed more flexibility with more bit depth (Kodak’s original design of the sRAW format was 10-bit). The advantage was noticeably smaller file size, but at the expense of resolution – the resulting images contained either twice, or four times less megapixels. Still, these images contained more data than JPEG files for later post-processing, which increased the popularity of the format.
Since the Nikon D810 got announced yesterday, we have been getting a lot of questions from our readers via emails, comments and Facebook messages. After answering many questions and doing some additional research, I decided to compile everything I have gathered so far in a single article. Looks like the biggest number of questions is coming from existing Nikon DX and D600/D610/D700 owners, who are considering to move up to the D810 as an upgrade. Some Nikon D800 and D800E owners like myself also find some of the new D810 features attractive, but there are still some items that remain unclear from the announcement (such as the camera buffer size), so the below article will hopefully address some of those questions and concerns as well.
1) Nikon D810 has no OLPF / AA filter
This one might be particularly interesting to existing D800E owners. If you remember from our previous coverage of the D800E, the difference between the D800 and the D800E is the filter stack in front of the sensor. Basically, the D800 has two stacks of anti-aliasing / blur filters along with the regular UV filter, which is what effectively reduces moire in images. The D800E, on the other hand, has a blur filter in the front of the filter stack, which is cancelled out by another filter at the end, as shown in the below illustration (a detailed PDF illustration from Nikon is available here):
One question that has been continuously asked from our readers has been regarding the buffer size of the Nikon D810. Nikon stated that the buffer has been increased, but has not yet provided any information in the official documents on the English versions of the Nikon USA and Nikon Imaging sites. After doing a bit of research last night, I found the Nikon D810 manual in Japanese language at Nikon-image.com (here it is for reference). I compared the table to that of the Nikon D800 / D800E and found out a surprise – the buffer size on the D810 appears to be doubled in comparison. What a nice surprise!
Today is another sad day, because Apple announced that it will no longer continue development of its Aperture software, which many photographers still rely on for their day to day photo management and editing. Too bad, because this basically gives Adobe monopoly with its Lightroom software. Yes, there are some other tools on the market such as ACDSee Pro, Phase One Capture One Pro and a few others, but none of them come to close to what Lightroom offers in terms of features, photo catalog management and up to date RAW file support. Aperture has not seen any major updates since October of 2013 and has not received support for the latest cameras that were announced this year, with only a small minor updates. Many of us saw this coming, but none were expecting the death of Aperture so soon.
Our friends at B&H Photo Video earlier today informed us that the X-Rite i1Display Pro monitor / projector calibration and profiling tool is on a flash sale, at almost half off, expiring tonight! At $139.95 ($110 off the original price of $249.95), this is an insane deal that we wanted to share with our readers. I wish this deal was available at the time when I bought mine, because I paid the full price. For those that do not know about the X-Rite i1Display Pro, it is the best device calibration tool on the market today. I previously have used the Datacolor Spyder 3 Pro calibration system and I ended up switching to the X-Rite, because it is better, more accurate and less buggy (more on that in our upcoming review).
It does not matter what monitor you have, whether it has a cheap TN panel or a high-end professional IPS panel – calibration is something you should do on every device that you are planning to display your photographs on. The difference between a non-calibrated and a hardware-calibrated screen is night and day, so I urge every photographer to do it. Even if you do not print, you should always have a calibrated monitor. The X-Rite i1Display Pro works both on PCs and Macs. I ran the software on my Windows 8.1 PCs and the drivers work very well.
You can purchase this tool by clicking the above image, or you can click this link, which will take you to B&H Photo Video online store. Once again, this deal will expire at 8:30 PM Eastern Time tonight!
In this Nikon D810 vs D800 / D800E comparison, we will go over differences in specifications between these cameras and talk about what has been added, changed and improved. The Nikon D800 and D800E have been very popular camera models among enthusiasts and professionals for several years now. With world’s first 36.3 MP full-frame sensor, very high dynamic range, pro-level autofocus, magnesium alloy construction and weather sealing, the cameras have converted quite a few Canon and even Medium Format shooters. What does the D810 bring to the table? Let’s take a closer look at the specifications.