I have been playing with the new Nikon NIKKOR 35mm f/1.8G ED FX lens for a week now and have taken it out a few times when the weather got a little better (it has been snowy and extremely windy during the past week here in Colorado). So far the lens seems like another winner. It is small, lightweight and is capable of rendering images with beautiful colors and high contrast. While I have not performed any lab tests, judging from the images I have captured so far, it seems to be very sharp optically, from the center to the corners at infinity:
We are always excited when our team is expanded with talented individuals that share our passion for photography, and this time I am happy to present yet another addition to our family, Francois Malan. Francois was supposed to join our team last year, but he got very busy with his PhD and thus could not commit any time. This year things will change for Francois, as he will be contributing great articles for our readers to enjoy and learn from. He has already posted an article on using DX lenses on FX cameras and we are looking forward to seeing more great stuff. Please give a warm welcome to Francois!
This week is crazy here at PL, because we are bringing in more and more talent from all over the world for our readers to learn and get inspiration from. Today, we are expanding our team of writers with a talented wildlife photographer, Robert Andersen! I am sure you have been enjoying Robert’s detailed articles on Raptor Photography and getting answers to some of the most complex questions related to camera autofocus, handling, hand-holding and much more! Without a doubt, Robert will be an amazing resource as a permanent team member for our readers, so please give him a warm welcome!
Lightroom has become a very essential part of the workflow process for many photographers, including myself. I cannot imagine managing my photo catalog without Lightroom and I use it every day for my photography needs. In fact, 95-98% of my post-processing work is done in Lightroom and I only occasionally use Photoshop for advanced photo editing / retouching, which not only simplifies my workflow, but also decreases the amount of time I spend on post-processing. Over the past few years of using Lightroom extensively, I have come up with efficient ways to store, organize and access photos on my computer, so I wanted to share a few tips with our readers on how I do it for both personal and professional work. Although there are many ways to organize images, this particular method has been working great for me (and many others that have been reading our site for the past few years). If you are looking for a generic guide on doing this without any third party photo software like Lightroom, then please read my older article on “how to properly organize pictures“.
We continuously strive to bring our readers the best content from many different sources and this time I excited to introduce another addition to our team – Thomas Stirr. You have already seen his articles like how to shoot high-quality videos with a DSLR, his top recommendations for photographing New Zealand and an in-depth review of the Nikon 1 V2 camera. Being obsessed with photography like all of us here at PL, Thomas will be sharing his knowledge and contribute to our site as a resident team member. Here is an intro post from Thomas – please give him a warm welcome!
This is an in-depth review of the Nikon Df, a retro-style digital SLR camera that was announced in November of 2013. The Df is a very controversial release, I would say perhaps the most controversial one in Nikon’s DSLR history. After Nikon teased the public with its short videos that slowly revealed parts of the camera, many were excited to see something completely different than a traditional DSLR. Videos titled “it is in my hands again” and “no clutter, no distractions”, with constant repetition of “Pure Photography”, hinted at a camera that combines old style Nikon film cameras with a modern digital sensor. Nikon “Df”, a “Digital Fusion” of retro style and modern technology, became an instant hit on the Internet and one of the hottest topics of discussion and speculation on photography sites and forums. As we got closer and closer to the release date, enthusiasts from all over the world started speculating on the features of the yet to be released Nikon Df and pointed at possibilities of seeing a mirrorless camera, electronic viewfinder and a myriad of other technologies we now come to expect from modern mirrorless cameras. Film shooters had their own list of must-have features, including a large bright viewfinder with a split focusing screen for easy focusing with old manual focus lenses. In a very short period of time, the Nikon Df, a fusion of technologies, became an over-hyped camera with very high expectations…
Over the last several years operating this site, I have been incredibly lucky to meet many talented photographers from all over the world. Some I met face to face (whether in my workshops or other gatherings / conferences), while others I met and interacted with online. One interesting pattern that I noticed in the majority of photographers, and I am talking about the ones that understand light, composition and proper technique, is that they often lack the key component of completing the image and making it successful – post-processing skills. It turns out that most of us spend our time learning our gear and how to take good pictures, but we fail to take that beautifully captured photograph to the next level and make it look amazing by enhancing it further in post-processing. Yes, camera technique, light and composition are all extremely important and those are certainly key ingredients that each of us needs to learn and eventually master, but we need to understand that a captured photograph is just the beginning of making the image. What happens to the photograph after it is taken, is as important as the process of capturing it. I have seen many photos that would have looked breathtaking, had the person put some extra effort into making it work. Even worse, I have seen so many examples of great photos that get slaughtered by very poor post-processing techniques and ugly presets.
It has been a while since I have cleared out my stack of camera gear. After going through everything last week, I decided to put a few items that I no longer need on sale. Although I initially thought about keeping most of it, I just hate to see lenses and cameras gathering dust for too long – I am sure someone else could find better use for it. Most of the money will be used for upgrades and other equipment for the business. If you are interested in multiple items, feel free to make me an offer via the contact form. I am the first and only owner of all below items and I have all the original manuals, boxes, soft cases, warranty cards, etc. A few extras are included, see more below.
As you may already know, our friends at Fstoppers are hosting workshops in the Bahamas this year, at the Atlantis Resort. When I met Patrick and Lee earlier this year at the Photo Plus conference, I had a chance to talk to them about the workshop and they were super excited about it. When compared to other workshops and conferences, the idea behind the Fstoppers workshop is very unique – to gather a relatively small group of photographers and have them spend time not only learning from some of the best photographers and instructors, but also get to know them in person, along with meeting other industry peers. And instead of doing it in a traditional classroom format, do it in a remote location to combine education with personal vacation and fun.
Thanks to the rise of the mirrorless camera market, manufacturers are now creating more and more segments in their camera lines. With the introduction of the X-T1, Fujifilm now boasts a total of 5 different cameras, all targeted at different segments. Today Olympus also extended its line of mirrorless cameras by introducing the new Olympus OM-D E-M10, a budget version of the OM-D premium mirrorless cameras. Next to the OM-D E-M1 and OM-D E-M5, this is now the third premium camera designed to appeal the enthusiast crowd. It borrows most of its guts from its bigger brother, the OM-D E-M5, but in a smaller and lighter package. Priced at $699 MSRP, it is significantly cheaper than other OM-D series cameras. In a way, it is a confusing release, because it is even cheaper than the PEN E-P5 (currently at $799). Since all PEN series do not come with a built-in electronic viewfinder or weather sealing options, they are technically inferior to OM-D series. Now with the the OM-D E-M10, it is hard to say exactly what market this camera is targeted for, with its features and price range in comparison. Let’s take a look at the camera in more detail.