This is a review of the Impact Light Kit Bag. For my studio lighting, I use a set of four Alien Bees heads along with a variety of light stands and modifiers. When I’m shooting on location, I prefer to make as few trips to and from my car as possible, so the fewer bags I have to carry, the better. For the past few years the bag I’ve been using for my lights has served me well, but I wanted to try something a little bigger and see if I could fit even more into it. Let’s see if this bag from Impact is going to work for my needs.
I thought I was perfectly happy using the standard hard plastic Nikon screen protector that came with my D800. It does what it’s supposed to do, right? It protects the screen from getting scratched without getting in the way of actually seeing the screen. Why mess with a good thing? That’s what I thought until I was given the opportunity to try out an Expert Shield Screen Protector.
The Expert Shield Screen Protector is a flexible screen protector that is applied directly to your device’s screen. I’ve used screen protectors like this on cameras and phones in the past and always had issues with bubbles, scratches and peeling. Would this be the same or would I end up loving it and throw away the hard plastic screen protector that came with my camera? Only one way to find out.
In the world of photography, nothing happens without light. In most cases, there are two types of light that photographers work with: natural light and artificial light. Although I often find myself using artificial light sources, I prefer using natural light whenever possible and consider myself to be a natural light photographer. One of the tools that has made the biggest difference to my natural light photography (and, for that matter, studio photography) is a reflector. In this guide, I will show you how to use a reflector effectively to enhance your photographs by simply bouncing natural light.
1) Choosing a Reflector
If you have never purchased a reflector before, the options that you find once you start looking might be overwhelming. There are large and small reflectors. There are round, rectangular and triangular reflectors. There are white, gold and silver reflectors, as well as combinations of these three colors with names like Sunfire, SoftSilver, Zebra and Sparkling Sun.
One of the first things you’ll want to decide on is the size of reflector you’ll need. If you’re mainly shooting individual portraits, a smaller reflector might work better for you than a larger one. Of course, a larger reflector will generally produce a larger area of softer light, but larger reflectors are also more difficult to handle, so there is a compromise to be made. A 42″ reflector is a pretty common size that is a nice combination of ease of use and nice light.
Once you know the general size you’re looking for, you can start looking at different brands and shapes. You’ll find reflectors that have handles, brackets or frames. You’ll also find reflectors that don’t have any fancy features. You’ll usually pay a premium and have fewer options if you choose a reflector that has a handle or a frame, but the added ease of use might just make it worth the extra money.
This is a review of the Impact Reversible Muslin Background. When I’m shooting portraits in the studio or on location, I sometimes want to use a backdrop that is not a seamless paper. Why? Seamless can be too uniform in color and also difficult to transport. I have always wondered what it would be like to shoot some portraits on a muslin background with subtle color variations, so I decided to grab one of these made by Impact and try it out.
This is a review of the Impact Two Monolight Softbox Kit. If you’re interested in learning studio photography and have looked at purchasing some gear, you know that once you start purchasing lights, light stands and modifiers, it can get expensive very quickly. Fortunately, there are some inexpensive options available out there, but are they worth it? While I don’t consider myself a master in the studio, I do have quite a bit of experience with different types of lighting equipment and, with a little use, can tell if I’d use something on a regular basis or not. Want to know what I thought of this Impact kit? Read on…
1) Product Specifications
2x 300 W/S Monolights
2x 24×32″ Softboxes
2x Sync Cords
This is a review of the Oben CT 2410 4-Section Carbon Fiber Tripod with BA-1 Ball Head. As photographers, a sharp photo usually means a steady camera. Regardless of what you photograph, I think every photographer will eventually need a tripod at some point. Personally, I don’t use a tripod for any of my portrait work, but I have found them to be useful when shooting wedding details inside of a dark reception hall. Additionally, I tend to use a tripod if I’m photographing any products or even occasionally when I’m shooting personal work around the city or in the mountains. Since I don’t use a tripod that often, I prefer a smaller, lighter tripod that’s easy to take with me and doesn’t take up much room. Sometimes the trade off for a small and light tripod is a lack of stability or durability. Would this tripod be able to deliver on both size and performance?
If you need help deciding how to purchase a tripod, consider reading How to Choose and Buy a Tripod.
1) Product Specifications
- 16.75 lb Load Capacity
- 63.9″ Maximum Height
- Extremely Lightweight at 3.2 lb
- Non-Rotating Twist-Lock Legs
- 6x Carbon Fiber Legs and Center Column
- Single-Lever Ball Head
- Dual Lock Mechanism for Quick Release
- Retractable Spikes in Feet
At some point, most of us Nikon or Canon users have probably wondered, “Why can’t I use my lenses on a different make of camera body?” Although there are many different reasons why lenses and bodies from different brands aren’t interchangeable, it doesn’t mean it’s impossible. When I saw that Vello made a Nikon to Canon lens mount adapter, I was intrigued. I use Nikon and have plenty of lenses, but I know many people who shoot Canon who might want to try my lenses. Could it really be so simple? Read my review of the Vello Nikon to Canon Lens Mount Adapter to find out. You can also read a previous post about why you might want to use Nikon lenses on Canon DSLRs.
1) Product Specifications
- Allows you to mount Nikon F-mount lenses to Canon EF-mount bodies
- Does not allow communication between lenses and bodies
- Easily removed
2) Packaging and Field Use
The lens mount adapter arrives in a simple little box. It’s not much bigger than a box a 52mm lens filter might arrive in. It comes with some simple instructions that show you how to put it on the lens and remove it from the lens. Keep the instructions! I had some trouble removing it from my lens the first time and had to refer to the instructions to get it off.
This is a review of the Bolt CBP-N1 Compact Battery Pack for select Nikon flashes. Whether used during a portrait session or at a wedding reception, a battery pack can greatly improve and extend the usefulness of an off-camera flash. My hopes for this battery pack are two-fold. First, I want it to extend the battery life of my flash’s batteries, giving me more shooting time without having to worry about changing batteries or waiting longer for my flash to recycle over the course of my shoot. Second, I want it to give me a consistently faster recycle time.
This is a review of the Vello Wireless ShutterBoss Timer Remote for Nikon. For some reason, Nikon’s small and inexpensive ML-L3 wireless remote doesn’t work with any of it’s professional DSLR bodies. If you own one of these incompatible bodies and want to use a remote shutter release, your choices can get expensive pretty quickly. I wanted a remote shutter that was wireless and did more than just trip the shutter when I pressed the button. I was surprised to find that Nikon doesn’t offer such a product. Fortunately, Vello does.
1) Product Specifications
The Vello Wireless ShutterBoss can be used as a remote release, a delayed shutter release, programmed as an intervalometer or to activate the bulb function on certain Nikon cameras. For those who may not be familiar with an intervalometer, it can be programmed to take a series of photos, with a preset length of exposure as well as time between exposures.
- 99 Possible Radio Channels
- Up to 250′ (80 m) Range
- Trigger Camera Wirelessly or Wired
- Can Work W/Dozens of Camera Models
- Dual-Function (Focus & Trigger) Release
- Delay Release Function
- Multi-Exposure Mode
- Interval Control
- Long Exposure Control
- LED Indicators–Pre-Focus & Exposure
This is a review of the Think Tank Airport 4-Sight rolling camera bag. My previous camera bag was the Think Tank StreetWalker HardDrive Backpack and I absolutely loved it. Think Tank has an almost legendary reputation among photographers, but the backpack was the only Think Tank product I had ever used. When it was time for a new bag, I had no doubt in my mind that it would be a Think Tank bag as well. The Airport 4-Sight just recently came out and caught my eye. It looked like it would be easy to travel with and hold all of my gear without being too cumbersome. Did it live up to my hopes and expectations? Read on to find out.
1) Product Specifications
Holds 2 Standard DSLRs, 3-5 Basic Zooms
Holds 2 Pro DSLR with Smaller Lenses
Holds a 300mm f/2.8 with Body Attached
Rolls on Four Wheels or Two on Carpeting
User Replaceable Handle / Wheels
Zippered Top Pocket for ID, Passport
Two Position Locking Handle
Three Carry Handles/Lockable YKK Zippers
Cable Management Organizer
Exterior Dimensions 14.0 x 8.0 x 21.0″ (35.6 x 20.3 x 53.4)
Interior Dimensions 12.3 x 5.0-6.7 x 16.0″ (31.2 x 12.7-17.0 x 40.6)
Weight 8.9 lb (4.0 kg)
2.1) Initial Impressions
The first time I actually saw the bag, I was a little worried that I wouldn’t be able to fit all of the gear that I was used to carrying with me. I had my StreetWalker HardDrive backpack pretty well dialed in and had everything I’d need for a shoot with me all the time. Also, I was pretty used to the larger Think Tank Airport bags that a few of my studio mates use. Would this bag be big enough? Had I miscalculated?