Our perception of any piece of technology is greatly influenced by it’s ease of use and overall user experience. For example, when I bought my first DSLR, my decision came down to Canon vs Nikon. I tried Sony, Pentax and Olympus and didn’t like them for one reason or another, but I knew that I could be happy shooting with either Canon or Nikon. How did I finally end up making my decision? The menu system. I preferred Nikon’s menus and navigation over Canon’s, so I bought a D40. Now, eight years and tens of thousands of dollars later, I’m still a Nikon guy, all because of the difference in menu design.
If you weren’t already aware, Nikon’s newest DSLR, the Nikon D810, was just released on July 18. For the announcement history, features, sample images and other current D810 posts, you can search Photography Life’s archives. When I saw the camera’s features, a few of them got me immediately excited. I don’t consider myself to be a photographer who has gear lust and must always have the newest camera body, regardless of how incremental the improvement may be. With that being said, as soon as it was announced I simply knew that I had to get the D810. Why? I’m glad you asked.
In the world of photography, nothing happens without light. In most cases, there are two types of light that photographers work with: natural light and artificial light. Although I often find myself using artificial light sources, I prefer using natural light whenever possible and consider myself to be a natural light photographer. One of the tools that has made the biggest difference to my natural light photography (and, for that matter, studio photography) is a reflector. In this guide, I will show you how to use a reflector effectively to enhance your photographs by simply bouncing natural light.
Last week, The Impossible Project launched a Kickstarter campaign to fund the creation of a printer that prints images directly from your iPhone’s screen to Impossible Project film, resulting in true analog instant prints of your digital images. Instead of simply viewing images on your phone’s screen or even sending them to a lab to be printed, the Impossible Instant Lab will use the light from your phone’s screen to expose a piece of film, which then becomes a Polaroid-style photo.
Today, Apple announced the release of it’s latest phone, the iPhone 5. I am not only excited for this announcement because I plan to pre-order a new iPhone, but because it will mark my switch from an Android phone to an iPhone.
Let me start by saying that I’m a digital camera junkie. I love technology. I love everything about working with digital images… the number of images that can fit on a tiny memory card, the sharpness and amount of detail that can be captured with good bodies and lenses, the instant gratification that comes from looking at an LCD screen and the amount of flexibility available while editing. Why, then, would I ever want to shoot film instead of digital?