Why I Love the Nikon E Series (AKA Really Cheap) Lenses

At a time when the digital photography world was buzzing with new gear announcements, I managed to fall in love with some of Nikon’s very old and cheap lenses, the E Series lenses. My experience with these lenses taught me a great lesson: it is really not about the gear. It is rather about being creative with what gear we already have, despite how limited and incapable we might think of it. This was a great inspiration to me, especially with my nagging habit of lusting after the latest and greatest gear announcements. The fact that I’m writing this article goes to show that I still struggle with GAS (gear acquisition syndrome), but for a change, this is a case about some of the cheapest lenses available.

This guest post was contributed by Samer Rizk. See more of Samer’s work at his 500px page.

Nikon E Series Lenses (1)

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How to Photograph Interior Domes of Popular Landmarks

Incredibly, the first domes date back to people living in the Mediterranean region 4,000 years BC. Since then, artists have created a fascinating variety of them all over the world. Still today, they are an essential part of modern architecture, as shown for example by Calatrava’s spectacular glass dome of the library of the Institute of Law in Zurich, Switzerland.

Unfortunately, most domes do not get the attention they really deserve. One reason is that many buildings, especially churches, are not well illuminated and the works of art can hardly be seen in the semidarkness. Another reason is that some domes, particularly those from the Renaissance and Baroque periods, are crowned by a lantern with separate windows which cause sharp contrasts. Furthermore, in bigger domes the details are far away from the observer on the ground, making it virtually impossible to study the subtle details of paintings. Finally – no surprise! – domes are located above you and looking upwards becomes strenuous for the cervical spine soon. The photographic technique described below helps to overcome some of these difficulties.

Praha Kreuzherrenkirche

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Wildlife Photography as a Career

If I was to be completely honest about encouraging people about setting out on a career in wildlife photography, I feel these days I could sum it up in two words. ‘Forget it!’ Having said that, I do not take rejection of article ideas well, I am poor at self-promotion and I am not brilliant at keeping my agents supplied with my latest images. Finally, I do not keep up to date with all of the latest camera bodies which produce superior image quality compared to the old Canon EOS 1D Mk2 I am still using for my wildlife pictures and the Canon EOS 5D Mk2 that I use for landscapes.

Gentoo Penguin

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Weye Feye Review

This is a review of Weye Feye product (usage with Nikon D800 camera, iPhone 5 & iPad 2). Weye Feye is a wireless and remote control unit for a DSLR. This product is made by a company called “XSories”. I think this is a French company with a subsidiary located in Hong-Kong. Another device providing similar functionality (and known better than Weye Feye) is CamRanger. The primary reason why I started looking at an external camera control unit was pretty simple. Prior to purchasing and using the D800, I was using Olympus E-5 cameras (still use them). Olympus E-5 has a fully articulating LCD screen. Having this fully articulating screen was and is very convenient, as I often take shots with strange angles, especially low to the ground. Most of the semi-pro DSLRs (just about all brands) do NOT have articulating screens. The absence of this functionality on semi-pro and pro cameras actually infuriates me, because it significantly limits the artistic ability of the photographer. Why do I have to get down either on all fours or my stomach or in a crouching tiger position in order to get the shot I need? Please, put articulating screens on these cameras! So when I got my D800, I was searching for a long time for a device that could “replicate” the articulating screen of my E-5s. There are many various add-ons available, but all add significant bulk to the camera, require separate batteries and seem very cumbersome. Most of my photography is done in an external, non-studio environments, so I try to limit the bulk of my equipment.

Weye Feye

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Right Time, Right Place

Being at the right place at the right time is usually associated with happiness and success. But what happens when we are at the right place at the wrong time? Do we even know that this is the right place? And what if it turns out that it is the wrong place after all? But the right time!

Robert Rutoed - Right Time Right Place (6)

Whoever loses his orientation over this thought will get a feeling for Robert Rutöd’s latest pictures. The Vienna-born photographer wandered for five years through Europe and has proven to be a keen observer with an often tragicomic view: The blind man who finds orientation by putting his stick in a tram track, the helpless swan that finds itself frozen to the vast stretch of ice, or the amputee operator of a shooting range set up in a ruined building. It gets macabre with the portraits of the Pope, Hitler and Mussolini decorating the labels of wine bottles.

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Best Focal Length to Get Into Wildlife Photography

What’s the BEST Lens for Wildlife Photography? If I had a nickel for every time I was asked this question, I could retire. It’s a very common and extremely valid question to ask. And to cut right to the chase, there is no one or right answer to this question. And that’s for many reasons from you, the photographer to the subject and most importantly, to the story you want to tell with your photograph. But there is a focal length that gets used over and over again and I feel is the best one to start with.

Allen's Hummingbird

400mm, you simply can’t go wrong with this focal length however you get to it. It’s the focal length I started with and depended on for the first years of my career. It’s the lessons I learned from that lens and some of the images it created that got me to this point. You can get to this focal length in many ways, 300mm f/4 with a converter, 80-400mm, 200-400mm or a 400mm prime. No matter how you get there or which lens you have, you have the same angle of view and that’s key.

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Yosemite Valley in Autumn

Here in California, we do not have the autumn hues to rival New Hampshire or Colorado. Nevertheless, the Sierra Nevada mountain range attracts a good number of photographers and seekers of fall colors every autumn. Yosemite Valley, situated on the western slopes of the Sierras has its own display, thanks to the Black Oaks, Maple, Cottonwoods and Dogwoods, which flourish here. Apart from these, there is the famous Elm tree in Cook’s meadow, which in peak color offers a memorable light show at sunrise and I believe it to be the most photographed Elm in the world.

Yosemite in Autumn (3)

Yosemite in Autumn (12)

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Guide to Photographic Photo Paper

Photographic photo papers are designed to produce a high quality image in an effort to best reproduce the photographed object. How good or bad the paper is at meeting this objective will depend on the type of printer, type of ink and of course the subject of this guide; the type of photo paper. In this guide we will explain the various considerations to take into account when evaluating your options.

Inford Photo Paper

Inkjet Vs. Laser Photo Paper

The mostly widely adopted technology by the professional printing community is the Inkjet printer technology. Laser printing is able to outperforming Inkjet printing in terms of speed, but it lacks the accuracy that high quality photographs require. Laser uses melted powder-like substance in CMYK colours, while Inkjet uses the same colours though liquid ink form that are delivered to the paper by means of small jets (hence Ink-Jet). This method of printing can achieve 2880Dpi vs. 720Dpi commonly found in laser printers. Therefore from here on, the various parameters for choosing photo paper will refer to the Inkjet type.
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How to Photograph Wedding Details

Like any event photographer, most of my wedding shots are of people, i.e. the bride, the groom and their guests. This, after all, is what a wedding is all about and what people mainly want to see when they open a wedding photo album. Weddings, though, are always packed full of other visual details besides the people. So much time is spent in preparation to make a wedding look beautiful that it would be a shame not to preserve some of this in the album. I find that sometimes the best way to achieve this is to make these details the subjects of some of my photographs, even if this means leaving people out of some shots completely.

Efficient time management is a major factor in a successful wedding shoot, and it can be difficult to capture all the shots you require across the day. That’s why I always endeavour to turn up early. I do this partly because it affords me the opportunity to walk around the venue – both inside and outside – and assess the lighting conditions on the day. However, it also gives me the chance to get some photos of the building itself and perhaps some of the decorations, flower arrangements and so on before any of the guests have arrived.

Of course, often we are asked to take photos of the bride, groom or both getting ready for the wedding. If this is in a hotel or other location far from the venue, it may be difficult to find time to turn up early and capture these detail shots. If so, don’t worry, there will be plenty of other opportunities. Try to spot details and photograph them across the day, and perhaps steal a bit of time at an opportune moment. An ideal opportunity is usually during the meal; most people don’t want to be photographed when they’re eating, so I take the chance to have a walk around the building and its exterior to grab some extra shots.

Here are a few examples of the finer details at some of the more recent weddings I’ve shot. You’ll notice that none of these photos feature people as their subject.

The Venue and Location

What was the weather like on the day? What did the venue look like? Where did the wedding take place? These questions can be answered by taking some photos from outside the venue. Wide angle landscape shots that take in the whole scene can certainly play a role here, particularly if the wedding is in an especially picturesque setting. However, don’t just restrict yourself to landscapes. This is all about capturing the fine details of the day, so try to photograph some of these with a normal or telephoto lens too.

Try to consider: is there anything unusual about the location; any distinguishing features that are worth capturing? Also remember that it’s often possible to have some fun with these photos, especially if the wedding is in a quirky location.

Photographing Wedding Details (5)

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Portrait Photography Tips

In this article, Patrick Downs is providing very useful portrait photography tips to our readers, sharing his experience and beautiful images that he has taken as a professional photographer. As a photojournalist for 25 years and shooting for much longer, I may have a different or expanded definition of what a portrait is, and what it takes to produce them. There are genres of portraiture, of course, such as: editorial, corporate, commercial/retail, documentary or candid, and illustrative portraits. With some you exercise almost no control (e.g., William Albert Allard), and with others almost total control (e.g., Annie Leibovitz). There is no right or wrong answer … the photographer chooses their style! There are many photographers whose portraits I love, and not all of them are pure portrait photographers. Allard is a documentary photographer, but his found portraits are wonderful. Annie L. imposes her will on her subjects, but the results are fascinating and something I’d love to be able to do. If I were to pick my top 3 pure portraitists, it might be Arnold Newman, Gregory Heisler, and Annie L, in no special order. I went back and read my Arnold Newman’s “One Mind’s Eye” the other day, and was struck by how many of his images don’t use “perfect” light by today’s standards, but so many are amazing. This one, of Igor Stravinsky, is still one of the most brilliant photo portraits ever taken, I think. It’s interesting to know that Greg Heisler was one of Newman’s last assistants.

Arnold Newman

I have (too many) other favorite portraitists, for sure: Albert Watson, Mark Seliger, Mary Ellen Mark, Helmut Newton, Irving Penn, Avedon, Art Streiber, Dan Winter, Peter Yang, Brad Trent, and photojournalist Joe McNally, who is really a great generalist. I know I’m forgetting many.

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